‘Eugene’ Holds a Picking Party
Sarah Gancher’s hootenanny-inspired, Arkansas-set adaptation of ‘Eugene Onegin’ gets the Rachel Chavkin immersive treatment at TheatreSquared.
Sarah Gancher’s hootenanny-inspired, Arkansas-set adaptation of ‘Eugene Onegin’ gets the Rachel Chavkin immersive treatment at TheatreSquared.
As the ‘Will and Grace’ star makes a theatrical return in the wild new musical ‘Iceboy!,’ she chats about her love for comedy, Chicago, and making people cry.
A new musical from Jen Silverman and Dave Malloy seeks to bring the Oscar-nominated ballet thriller to the stage.
A guide on how to start a theatre company in 2026, and highlights on six iconic Puerto Rican artists ahead of the TCG conference.
Why the theatre industry’s new-play push hasn’t improved the playwrights’ lot.
As several instructive case studies show, hope springs eternal for today’s theatremakers, even amid steep challenges.
When the resident company model was more prevalent in U.S. theatres, actors had the chance to put down roots in a community. Is that dream over?
A pre-conference reflection on Puerto Rico, where TCG will hold its national conference in June.
In our Spring issue, we look at some long-standing structural and systemic challenges facing the regional theatre movement—and celebrate the luminous new work still being made in spite of them.
Participating in poetry is key in Carissa Atallah’s new play about a DACA college student that takes inspiration from spoken-word competitions.