Theatre folks from Alaska to Ohio to Misssissippi tell us where they’re seeing the most change and what they’d like to see on a stage in the coming season.
The multidisciplinary Philly artist can’t be pinned down, but she is never less than fiercely present. Her next collaborative piece: Tall Order’s ‘Those With 2 Clocks’ at the Wilma.
His new dance-theatre piece with Alan Cumming, ‘Burn,’ is another showcase of the approach to movement language that has made all Hoggett’s choreography so distinctive.
An iconic play about trans men and butch lesbians arrives in Maine at an auspicious time, both for its writer and for trans representation onstage.
6 writers, 10-minute plays, a 4-night run, the 13th season: how this eminent New York festival celebrating Black dramatists has multiplied its impact.
Sarah Silverman’s musical memoir, delayed by pandemic and the death of a key collaborator, finally arrives at the Atlantic with its frank, irreverent spirit intact.
In depicting a transphobic murder in Washington, Mikki Gillette’s new play sets out to show a young woman’s confidence in the face of chaos.
The actor talks about his voice and craft, his approach to an iconic role, and where the storm ends and the madness begins.
His new play at the Signature Theatre is not a theological argument but another of his searching efforts to find meaning in contemporary American life.
The actor talks about the new Geffen Playhouse production of Albee’s classic marital scrimmage he’s headlining opposite Calista Flockhart.