Language in the Driver’s Seat in ‘Racecar Racecar Racecar’
Kallan Dana’s intimate, unsettling play, a production of The Hearth redirected from the shuttered Connelly Theatre, reemerges at A.R.T./New York.
Kallan Dana’s intimate, unsettling play, a production of The Hearth redirected from the shuttered Connelly Theatre, reemerges at A.R.T./New York.
A new adaptation of Sophocles’s classic will be staged at a museum that once held Native remains—but it’s hardly a staid museum piece.
In Anna Ouyang Moench’s new backstage comedy, a regional theatre actor looks to avoid becoming a real-life Scrooge.
Fresh off a cabaret performance at NYC’s 54 Below, Otherworld is set to remount their hit ‘Twilight’ parody musical, continuing their streak of sci-fi and fantasy shows for Chicago audiences.
The musical adaptation of ‘Rutka’s Notebook: A Voice from the Holocaust’ is currently having its world premiere at Cincinnati Playhouse in the Park.
Deaf and hearing artists are looking for the timeless rage in a new staging of Green Day’s ‘American Idiot,’ a collaboration between Deaf West Theatre and Center Theatre Group.
A new 4-actor version of Williams’s classic, which played last year at alternative NYC spaces, is headed for L.A., then Yale.
What theatres are cooking up for ‘Waitress,’ the Sara Bareilles/Jessie Nelson musical that’s popping up at several theatres in the coming season.
The New Harmony Project’s new-play festival seeks to stamp Indianapolis’s place on the new-work development map.
A hurricane is headed toward New York City courtesy of a revenge tour (of a sort) from Atlanta’s Vernal & Sere Theatre.