Language in the Driver’s Seat in ‘Racecar Racecar Racecar’
Kallan Dana’s intimate, unsettling play, a production of The Hearth redirected from the shuttered Connelly Theatre, reemerges at A.R.T./New York.
Kallan Dana’s intimate, unsettling play, a production of The Hearth redirected from the shuttered Connelly Theatre, reemerges at A.R.T./New York.
After a tenure that include a name change and several acclaimed productions, he’ll leave the theatre in the interim hands of managing director Nicole Samsel.
A check-in with stage managers, and ensemble creation in the New Mexico desert.
Who better to take the pulse of a changing industry than with the folks at the hub of the wheel: stage managers.
Short plays from the 2024 cohort will be featured at the LGBT Center in New York City on Dec. 2.
Born in Covid lockdown, The Exodus Ensemble is shaking the New Mexico desert with immersive work, including their new ‘HAMLET.’
Next summer, a multi-day celebration will kick off a new international dance venue for the longtime company in the Berkshires.
Succeeding co-founding leader Stephen Sachs, the D.C.-based director will assume full leadership of the L.A. theatre next April.
In a recent conversation with publications director Kelundra Smith, the ‘Yellow Face’ playwright talked about progress in representation and the unfairness of criticism.
In staging a revolution and its confusing aftermath, the musical ‘We Live in Cairo’ also seeks to dramatize the everyday life of Arabs.