The theatre’s new literary magazine features writing by many artists, as well as many administrators, looking inward at the institution at a time of challenge and change.
In this excerpt from André Gregory’s ‘This Is Not My Memoir,’ written with Todd London, he recounts his formative months at the Berliner Ensemble.
Last fall we learned a new way to make theatre, not only with our students but with the audience and the community.
The New York Times’ newest critic at large thinks about culture both broadly and personally, and strives to deliver dialogue, not a verdict.
Daniella De Jesús is named grand prize winner as Miki Kim and Laura Winters are also honored.
The three co-producing theatres will commission works on the theme of consequences.
This month, a check-in with the playwrights who first called in last March to see how they’ve fared in the intervening 10 months.
The co-founder of Mabou Mines never rested on his laurels but kept driving his work forward, on stages large and especially small.
He had a lifelong, almost monk-like devotion to his muses, which included the people he worked with.
This week the critics talk to two theatre artists about the choices they’ve made and the field they hope to return to.