An experienced director, he will look to deepen and strengthen the company’s working-class programming.
This month Woodzick talks to the Seattle-based director about creating a safe yet accountable rehearsal room, taking Shakespeare off a pedestal, and embracing body hair.
How 2 directors on either side of the U.S./Mexico border created a traveling theatre piece that both demystifies and complicates the stories of fronterizos.
This year’s grants will support innovative and socially engaged productions at theatres in Colorado, California, Oregon, Washington, and Arizona.
He plans to leave at the end of 2024-25 season, after more than 3 decades at the theatre, and more than 4 decades in theatre administration.
At La MaMa last spring, the two directors gathered to talk about actors, audiences, censorship, dislocation, and the haven of the rehearsal room.
She’ll have run the company she founded for 45 years, after leading it from 2 Off-Broadway theatres to join 3 other nonprofits who also run Broadway houses.
Bringing together activists, citizens, and theatremakers to dramatize extraction’s impact on local communities, this unique theatre project has created a community all its own.
In a triptych of plays, now onstage in Santa Monica, Calif., the Ukrainian playwright responds with ferocity to the invasion of his country.
In taking a solo show to Kyiv, I joined in a statement of solidarity, common humanity, and everyday expression in the face of invasion.