Stage fog and haze are great tools for the right occasion. But must they be a default design element?
How to optimize your theatre’s YouTube promo videos.
His colleagues remember the Tectonic actor and company member as the best among us.
Samples of St. Louis stage work and an award for the Kranzberg Foundation highlighted both the city’s triumphs and its challenges.
Awards for Black Rep’s Ron Himes and Ten Thousand Things’ Michelle Hensley, and Jer Thorp’s ‘data humanism.’
For the first time in 15 years, dozens of arts organizations of color convened to share challenges, practices, and community.
Why I followed the playwrights and director of ‘Red Hills,’ En Garde Arts’ new play about the Rwandan genocide, in a pilgrimage to the country where it’s set.
With works like ‘How We Got On’ and ‘This Is Modern Art,’ his plays are an intoxicating mix of hip-hop and social history.
Two new dance biographies show what we can (and can’t) learn from the revolutionary choreography of Agnes de Mille and Bob Fosse.
The ‘SpongeBob’ director has built a career on experimentation, even within traditional forms. Her next assignment: a musical of ‘Dave.’