Letters to the Editor: The Business End
Readers respond to a recent article advocating that theatre schools teach their students more about the trade they’ll be entering.
Stories by Various Authors
The Wit and Wisdom of Morgan Jenness
Members of the dramaturg/activist’s chosen family remember her lifelong commitment to theatre, politics, and the art of friendship.
Samm-Art Williams, Gentle Giant, Is Called Home
Colleagues and friends of the actor-playwright recall his legacy as a dramatist, poet, producer, mentor, truth teller, and friend.
Letters to the Editor: Virginia Cares, Print Returns
A few reader responses to recent features and news.
How Phyllida Lloyd and Whitney White Make Work Worth Their Time, and Ours
Joined for the Rolex Arts Mentorship program, these 2 directors have a lot of common interests: interrogating Shakespeare, staging music, and welcoming new audiences.
Letters to the Editor: Long Wharf, Stage Blood
Readers respond to a review of a book about making it bleed onstage, and a theatre leader takes issue with a recent report on a necessarily changing field.
A Capital Season
Theatre folks from Alaska to Ohio to Misssissippi tell us where they’re seeing the most change and what they’d like to see on a stage in the coming season.
The Shows That Got Away and/or Found a Way
A look at 8 shows that the pandemic cut short, what’s happened to them since, and what might be next.
Letters: Talkback Pushback
Readers have a lot to say about post-show discussions.
How to Be an Antiracist Theatremaker
Five producers gather to talk about what they do and the power they hold to make change.
