The last 2 years forced us to face fundamental uncertainty and loss, and that’s a gift that will keep on giving.
A look at 8 shows that the pandemic cut short, what’s happened to them since, and what might be next.
How Lloyd Suh’s ‘The Chinese Lady’ made it through 2 years of pandemic, protest, and anti-Asian hate to emerge as the nation’s most-produced and possibly most essential play.
The show felt very special in 2020, but it means even more now, colored by the loss of the past 2 years.
The work of understudies, standbys, and swings is always exhausting and show-saving, but it took a pandemic to get most audiences and even the industry to recognize their value.
A political science experiment to gather diverse Americans inspired a stage version at Florida Studio Theatre, which also brought people together to reflect on their similarities and differences.
An excerpt from a new collection of micro-plays.