Nadia Hopkins’s ‘Humane Traps’ Takes 2026 Relentless Award
A quietly absurdist play about death and rodent infestation is the Boston-born dramatist’s first full-length work, and the winner in the landmark playwriting prize’s 10th cycle.
A quietly absurdist play about death and rodent infestation is the Boston-born dramatist’s first full-length work, and the winner in the landmark playwriting prize’s 10th cycle.
The author of this intriguing meta-play, the full script of which appears in our Fall 2026 issue, talks about its inspirations and its unique form.
This edition features designers of all kinds working throughout the United States.
The playwright behind the Ufot Family Cycle chats about making theatre more community-oriented and humane, and how to make Black girls fly.
The historic Providence theatre’s artistic director, whose last play at its leader is ‘The Getaway Driver,’ recalls his two-decade tenure, and talks about what’s next.
The writer of ‘Meet the Cartozians’ chats with her leading actress about the history behind the play, the complicated effects of assimilation, and Armenian pride and trauma.
The Haitian American playwright reflects on female empowerment and her wishes for change in the industry as her play ‘Dead Girl’s Quinceañera’ makes the rounds this fall.
A year after the Los Angeles wildfires, the playwright reflects on community and responsibility with ‘The People of Pompeii.’
This busy performer-producer set out to establish a company for Asian American actors, and ended up a New York City theatre staple herself.
For this actor-turned-director, the job of running one of the U.S.’s biggest nonprofit theatres is less about finding an artistic home for herself than making a home for others.