Adil Mansoor: Making a Space
The complete playscript of ‘Amm(i)gone’ appears in our Summer 2025 issue. Here the author talks with a crucial mentor about the work’s inspiration, production history, and meaning.
The complete playscript of ‘Amm(i)gone’ appears in our Summer 2025 issue. Here the author talks with a crucial mentor about the work’s inspiration, production history, and meaning.
As one artistic director hands the reins to another, both reflect on the storied NYC theatre’s legacy, aesthetic, and future.
A seasoned regional theatre leader who currently serves as managing director of San Francisco’s ACT, Bielstein is at last taking a leadership role in her home state.
Ahead of our Summer 2025 issue release, we sit down with one of the stars of Broadway’s ‘Real Women Have Curves.’
Taylor Mac, whose new play ‘Prosperous Fools’ is loosely inspired by ‘Le Bourgeois gentilhomme,’ and Jeffrey Hatcher, who has a new adaptation of ‘The Imaginary Invalid,’ talk satire, philanthropy, and healthcare.
Orchestrator Doug Besterman (‘Death Becomes Her,’ ‘Boop!,’ ‘Smash’) and music director/arranger Marco Paguia (‘Buena Vista Social Club’) compare notes.
The British playwright is all over U.S. stages this spring, with her adaptation of ‘Life of Pi’ on tour and a city-specific rewrite of her play ‘Hymn’ at Chicago Shakespeare Theater.
Ahead of concerts at Steppenwolf and Ravinia, Kelli O’Hara reflects on her journey, artistry and breath work, and the “service” of performing.
The busy playwright, with three world premieres kicking off 2025, discusses juggling multiple projects and the privilege of being a working artist.
The busy actor has stocked an International Theatre Festival at the Venice Biennale with heavy hitters—including the one that formed him, the Wooster Group.