Martin promises a ‘clean slate’ at the Chicago theatre famed for its playwrights ensemble, after serving as associate producer at the Goodman.
Looking toward the future, Shelley hopes to create an inclusive atmosphere that cements the House Theatre of Chicago as a destination for artists to come and create.
Artists’ Rep’s new managing director wants to break down the silos in her workplace and in her art form too.
ACT’s new director of the conservatory talks about teaching self-analysis, working within structures to dismantle them, and the possibilities of digital platforms.
The 45-year-old Pennsylvania theatre will also initiate a national search to fill out its senior artistic leadership team.
The theatre’s new artistic director talks about the forward-looking legacy she inherits, and about how post-pandemic theatres may resemble startups.
As an experienced leader taking the helm of a unique American theatre institution, she finds it uniquely suited to her gifts.
In her first year at the Twin Cities theatre, a series of crises offered opportunities for allyship and community-building.
The communications exec, who’s working with Milwaukee Rep for 10 months on EDI, talks about building relationships and engaging diverse communities.
TheatreWorks Silicon Valley’s new artistic director tries to balance with nimbleness with caution as he looks toward an uncertain future.