Peter Brosius Believes That Children Are Our Future
As he enters his last season leading Minneapolis’s Children’s Theatre Company, he reflects on the unique inspiration and value in making work for young people.
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As he enters his last season leading Minneapolis’s Children’s Theatre Company, he reflects on the unique inspiration and value in making work for young people.
As IRT’s longest-serving artistic director, Allen has led the company with an eye on the future, and now it’s Hanna’s turn to serve Indiana’s unique Midwestern audience.
The theatre’s current interim leaders will now form a partnership—an alliance, if you will—to jointly run Atlanta’s flagship theatre.
After 37 years at the helm of Chicago Shakespeare Theater, Gaines has found the right time to step away from the company she founded.
What would take a busy freelance director off the road? The chance to gather and serve communities—especially those who’ve been under-served.
The company’s 5-decade journey from Off-Off-Broadway outlier to Broadway powerhouse has been steered all along by the same 2 leaders.
The departing leader of Baltimore Center Stage talks about the challenges the theatre field is facing, and about the changes she was able to make to address them.
The current artistic director the Repertory Theatre of St. Louis, Sharif will succeed Molly Smith when the longtime AD retires in June.
Arena Stage’s artistic director looks back on a quarter century of programming for the unique community that comprises the nation’s capital.
After stepping down from the helm of the Chicago theatre he ran for 36 years, he’s directing—what else?—Chekhov’s ‘The Cherry Orchard.’