AT Education Monthly: Pig Iron School, Special Education Report, and Sensory-Inclusive Theatre
This month, Allison chats with Pig Iron co-founder Quinn Bauriedel and checks in with teachers helping students navigate the post-election period.
This month, Allison chats with Pig Iron co-founder Quinn Bauriedel and checks in with teachers helping students navigate the post-election period.
In joining a college theatre program with similar aims and aesthetics, the training arm of the experimental company will keep its students on track with minimal interruption.
This month, Allison heads to the former home of artist Frederic Edwin Church and readers uplift their mentors.
An afternoon at Carnegie Mellon’s School of Drama and life-changing educators highlight this month’s education newsletter.
Checking out “OtherWorlds” on Governors Island, and industry folks offer insight on essential non-arts courses for theatremakers.
Writers gather at Little Island, and industry folks offer advice on the ups and downs of the business.
Even with arts journalism jobs in decline, emerging theatre critics keep training and finding new outlets for their voices.
From conservatories to MFAs to youth ensembles, the best training to reflect human behavior onstage can take as many forms as life itself.
The diversification of theatre design starts—but doesn’t end—with training.
In our Winter issue, we look at training that doesn’t simply instruct young artists in the ways of the world but aims to empower them to change it.