Artistic leaders at the Playwright Realm writers’ service organization talk about how, when, and whether to send your work for consideration.
Undergraduate theatre programs join forces to combat artistic isolation and build creative community.
An interactive web portal combines theatre and education in an effort to destigmatize mental illness.
Last fall we learned a new way to make theatre, not only with our students but with the audience and the community.
Nationwide readings on the scourge of guns brought pandemic-isolated theatre folks together for a common cause—and the momentum may continue.
As I say goodbye to my editorial home, I’d like to share some of the lessons I learned over the past (almost) 6 years.
Deprived of regular, full-face in-person interaction, high school theatre students at Interlochen Center for the Arts have expanded other creative capacities.
A new Netflix documentary follows six contenders in the annual August Wilson Monologue Competition.
Among the most important things students can learn at theatre training programs: how to audition, and what they’ll be auditioning for.
Too often, comfort with culturally inappropriate casting starts in educational settings—precisely the places these practices should be interrogated.