The title, ‘The Show Must Go Online!,’ is self-explanatory, but this new virtual musical still requires teachers, parents, and students to get in on the act.
The assistive devices, now being tested at People’s Light in Pennsylvania, offer a new way for hard-of-hearing patrons to fully enjoy the theatre.
What Arkansas Rep learned after it suspended operations last year and turned itself around.
Whether the weapons are real or fake, part of the show or not, your theatre needs to be prepared.
How a small Florida theatre saved its big, foundering counterpart in a nearby town.
A Wallace Foundation grant gave Portland Center Stage room to experiment with their marketing and engagement programs for new theatregoers.
At San Jose’s City Lights, engagement can mean theatregoers texting actors or partying with them onstage.
The new app is designed to make vocal parts easy to learn for the rehearsal room and the stage.
How Opera Theatre of St. Louis used a Wallace Foundation Grant to test audience-building strategies.
This year, rather than airing a Super Bowl ad, the candy corporation hired Will Eno and Michael C. Hall to do a live, one-time-only musical. WTF?