Eileen J. Morris of Houson’s Ensemble Theatre and Sean Daniels of Merrimack Repertory Theatre share why engagement and education has to start with leadership.
The Friends interview the star of NBC’s ‘The Good Place’ on his new play ‘Travisville,’ and whether theatre critics go in the Good Place or the Bad Place.
The great playwright and educator talks about her ambitions for her own work and for the art form she loves.
Trinity Rep’s Spectrum Theatre Ensemble, a leader in accessibility programming, is building a canon of new work for neurodiverse performers and audiences.
It’s the one-year-anniversary of this podcast! To celebrate, the critics discuss jukebox musicals, in particular ‘Girl From the North Country,’ and why there are so many Brits on Broadway.
On this episode, the Friends review the newest play by Theresa Rebeck, and interview Daphne Rubin-Vega and Gizel Jimenez.
Nikki Toombs of Atlanta’s True Colors Theatre Company and Tanya Mote from Denver’s Su Teatro share how engagement and education work fits their theatres’ missions.
For the first show of the fall season, the critics discuss the demise of the TV show Theatre Talk and interview Bedlam theatre’s Eric Tucker.
Live at the Lark, American Theatre editors announced the season’s top plays and playwrights, and spoke to two of them, Lucas Hnath and Karen Zacarías.
He’s written more than 300 two-minute plays, but the artistic director of Chicago’s Neo-Futurists doesn’t consider himself a playwright. Brian James Polak finds out why.