Where the River Does Not Stand Still
With its new Samuel H. Scripps Theater Center, Hudson Valley Shakespeare has a stunning new home that aims to hold in balance permanence, performance, and the natural world.
With its new Samuel H. Scripps Theater Center, Hudson Valley Shakespeare has a stunning new home that aims to hold in balance permanence, performance, and the natural world.
As the Alliance opens its Goizueta Stage, a new TYA acting repertory company has proven to be a fruitful experiment in engaging youth and families.
The show’s creator, Cinco Paul, explains how his score pays cock-eyed tribute to the mid-century American musical.
In D.C. and Atlanta, a new musical about the late Congressman’s formative years seeks to honor his spirit of ‘good trouble’ not only with mainstage productions but with engagement events and tours as well.
Edward Torres and Archana Vaidya take over as interim leaders of the embattled company as it seeks to reestablish itself in Chicago’s theatre scene.
‘Riot Queens’ in Portland, Oregon, and an immersive staging at San Francisco’s Tenderloin Museum recall a seminal pre-Stonewall moment, and prompt fresh reflections about the ongoing search for safe havens.
The Center’s roles as an incubator of new work for young audiences, and as a generous host for the American College Theater Festival, will be hard to fill.
With a script by Simon Stephens and a (video-captured) cast of 4, a new mixed-reality experience at The Shed may be the closest this new medium has come to a bona fide play.
Ty Defoe and All My Relations Collective’s new show, seen last year in 2 cities, uses puppetry, dance, and multimedia to tell a story of belonging.
Gotham’s stage laborers aren’t just organizing existing workplaces; they’re also making their own, built on new models and partnerships.