A Play Without Live Actors: Is ‘An Ark’ Theatre’s Afterlife?
With a script by Simon Stephens and a (video-captured) cast of 4, a new mixed-reality experience at The Shed may be the closest this new medium has come to a bona fide play.
With a script by Simon Stephens and a (video-captured) cast of 4, a new mixed-reality experience at The Shed may be the closest this new medium has come to a bona fide play.
Ty Defoe and All My Relations Collective’s new show, seen last year in 2 cities, uses puppetry, dance, and multimedia to tell a story of belonging.
Gotham’s stage laborers aren’t just organizing existing workplaces; they’re also making their own, built on new models and partnerships.
Catching up with the digital editor on the state of criticism, a regrouping of Theater Folx of Color, Chicago happenings, new columns, and more.
A report from last weekend’s gathering of makers, leaders, and thinkers, curated by National Black Theatre at NYC’s Park Avenue Armory.
Pre-show dinner and discussions at Round House Theatre are using Matthew López’s two-part epic to gather queer folks of various ages to reflect on community, care, and culture.
For its ambitious ‘Neighborhood Project,’ Artists at Play has commissioned writers to create work inspired by various Southland communities.
This month, we reflect on how awards ceremonies may grant the chance to spark exciting new projects and highlight summer happenings around town.
After spending a week studying Tectonic Theater Project’s Moment Work, a theatre teacher emerges with new tools to empower young storytellers.
A monthly gathering produced by the American Playwriting Foundation channels stories of the U.S. immigration system with the unique theatrical urgency of in-ear verbatim technique.