Soho Rep Announces Ambitious 3-Play Hunger Cycle
3 world premieres across three seasons will include a musical by César Alvarez, a Native epic by Madeline Easley, and a site-specific immersive folk tale.
Operationalizing the Art of Care: Lessons From Sundance
The final festival in Park City showed off some interesting film products, but my biggest takeaways were from conversations about intentionality and care in the art-making process.
A Curtain Call for the Life and Legacy of Othell J. Miller
A colleague and mentee recalls a tireless advocate and encourager who wasn’t content to make art himself—he also felt called to nurture it in others.
What Will D.C. Theatres Do Without a Full-Time Critic at the Post?
WaPo’s last theatre critic, Naveen Kumar, and Washington, D.C.-area theatres reflect on the paper’s recent layoffs and what they mean for the arts ecosystem in one of the nation’s largest cities.
Letters to the Editor: Editorializing About Palestine, Praise for Lois Smith
Readers weigh in on a few recent articles.
Bernard Weiner: San Francisco Theatre’s Chronicler
A colleague remembers the San Francisco Chronicle theatre critic of the 1970s and ’80s, who died on Feb. 15 at the age of 86.
Bodily Fluids, Heartsick Lyrics, and a Viral Musical
This month: Alia Shawkat on Clare Barron’s ‘You Got Older,’ Robert Kaplow on his Oscar-nominated screenplay for ‘Blue Moon,’ and Joriah Kwamé on his TikTok-hit-turned-musical, ‘Little Miss Perfect.’
This Month in Theatre History
Our March edition highlights new-play milestones from 1916 through 2016.
Jonathan Norton’s Moments of Change
The Dallas-based playwright and theatre leader has an eye and ear for detail, including in his new play about Malcolm X and Redd Foxx.
Ro Reddick, Hannah Doran Both Win Blackburn Prize
The time the judges honored both Reddick’s surreal ‘Cold War Choir Practice’ and Doran’s gritty ‘The Meat Kings! (Inc.) of Brooklyn Heights.’
