R. Eric Thomas: Laugh Till You Feel Something
With 3 plays opening within as many months of each other, the prolific writer talks about comedy, empathy, and his deep love for television.
Theatrical Mustang: Ada Karamanyan Would Like More, Please
This month we talk to the administrator, activist, and casting professional about amplifying trans talent, rethinking the canon, and prioritizing mental health.
‘Case’ and ‘Kimberly’ Take Top NY Drama Critics’ Circle Awards
New works by Samuel D. Hunter and by Jeanine Tesori and David Lindsay-Abaire were named best play and best musical of 2021-22.
Jonathan Berry Named Artistic Director of Penobscot Theatre
A Chicago-bred director, producer, and teacher, Berry will join Penobscot executive director Jen Shepard to lead the company’s 49th season.
Trump Coup 2.0, as Staged by London’s Mike Bartlett
The author of the near-future history play ‘King Charles III’ turns his attention to our once and possibly future president, but is it a comedy or a tragedy?
Know a Theatre: Theatrical Outfit of Atlanta, Ga.
An intimate theatre with a focus on new plays and local stories, its season ends with the return of local star Terry Burrell as ‘Lady Day.’
Five EPIC Years: How to Build a Neuro-Inclusive Community
This New York-based company, dedicated to giving neurodiverse theatremakers a space to express their authentic selves, opens a production of ’25th Annual Putnam County Spelling Bee’ tonight.
Living the ‘¡Americano!’ Dream
Inspired by the story of a DREAMer from Arizona, a new musical makes a humanizing case for the undocument immigrants whose rights he now advocates for.
Joe Morton: Into the Storm of ‘Lear’
The actor talks about his voice and craft, his approach to an iconic role, and where the storm ends and the madness begins.
Bruce Pomahac: Attention to Detail, and to Good Stories
For years he was the Rodgers & Hammerstein Organization’s secret weapon, with an impeccable ear and an ideal combination of passion and practicality.
