Members of this emerging New England theatre company are finding joy and building trust in the wake of trauma.
This month Brian talks to the author of ‘tokyo fish story’ and ‘brownsville song (b-side for tray)’ about panic, curiosity, and the earned laughs average.
Known for her lively, no-gimmick stagings of Shakespeare with Theatre for a New Audience, the director is branching out with ‘Des Moines.’
How a number of recent shows in New York are landing, and what it feels like to work on them, in a time of rising antisemitism and right-wing violence.
A reflection on the influences who led me to become the theatre artist and educator I am today—and to be that influence for others.
A conversation with Joel Grey, Tovah Feldshuh, Caissie Levy, Michael Arden, and Bess Wohl about portrayals of Jewishness and antisemitism on New York stages.
Under the slogan ‘It’s About Time,’ AEA members will gather to push for a better deal on Broadway understudies, scheduling, and workplace safety.
Socially engaged performance has a rich history in this country, and it deserves an account as localized and multivocal as its leading practitioners.
As he marks his 20th year in a show now celebrating its 25th Broadway anniversary, Mercer says that enthusiastic audiences—and a certain amount of backstage pranks—are what keep him energized.
For the show’s associate music director/lyric dramaturg, ‘KPOP’ brings together 2 things that are precious to her: the Broadway musical, and contemporary Korean and Korean American culture.