In this excerpt from ‘Shy,’ the brutally frank memoir Rodgers wrote with Jesse Green, a Carson McCullers adaptation takes shape, then founders.
Composer Mary Rodgers’s unsparing new memoir, equal parts hilarious and harrowing, tells of an eventful life in which musical theatre wasn’t the only source of drama.
Currently associate artistic director at Shakespeare Theatre Company in D.C., Paul will succeed Julianne Boyd, who has led Barrington Stage Company since its founding 27 years ago.
This small storefront theatre in a walkable cultural district puts its focus on new work and on its neighborhood.
Scholars and fans gathered in Boston last month to consider, and reconsider, the contemporary and global relevance of the great, tormented American dramatist.
Over 3 days in Philly, dramaturgs and others who use dramaturgy in their work met to share best practices and new definitions.
The pioneering co-founder of Negro Ensemble Company looks back on an acting and producing career that was never just about himself.
Jennifer McClure’s new book provides a prop master’s guide to blood effects, from design to clean-up and every sanguinary step in between.
August spotlights Black theatrical trailblazers, a theatre company that conquered all media, and a big theatre for little folks in the Lone Star state.
‘Try On Theater Days’ aims to upend the often exclusionary practice of college theatre auditions by allowing students and faculty to mutually assess their fit with each other and the programming.