How Fornés’s landmark play can teach us to imagine different ways of living, fighting, and making theatre.
She used her anger at a system that betrayed its ideals as fuel to organize against it. We can and should do the same.
Theatre artists Whitney White and Peter Mark Kendall made a show for Under the Radar that tests the bounds of their form, and of their friendship.
A close friend and a fellow performer remember her disarming presence, humor, and determination.
A new print monthly—yes, you read that right—is positioning itself to cover the field as it reemerges in coming years.
Nonprofit theatre boards are unrepresentative, out of touch, and more often oppressive than supportive. We can and must do this better.
Dramaturg, playwright, and director Addae Moon has joined the Atlanta company.
How the queerness of fairy tales and musicals, once coded and now more open, has always spoken—and sung—directly to me.
Looking toward a post-COVID horizon, we must plan for adjustment, redefinition, and a new kind of relevance.
Nationwide readings on the scourge of guns brought pandemic-isolated theatre folks together for a common cause—and the momentum may continue.