The great playwright and educator talks about her ambitions for her own work and for the art form she loves.
He’s written more than 300 two-minute plays, but the artistic director of Chicago’s Neo-Futurists doesn’t consider himself a playwright. Brian James Polak finds out why.
Brian James Polak interviews the playwright/professor about writing science-based plays and fostering the next generation of writers.
Brian James Polak interviews the author of ‘Teenage Dick’ about disabled representation onstage, and also about writing ‘structure-less joke-fests.’
Brian James Polak interviews the prolific playwright/activist about her new play ‘Red Bike’ and theatre as an audience engagement tool.
A chat with the playwright and professor about his career in New York, Minneapolis, and Chicago.
This month’s episode is super-long because Brian James Polak traveled to the Humana Festival and spoke to two playwrights that were getting world premieres there.
This month, playwright Brian James Polak travels to Milwaukee, Wisc., to interview Catherine Trieschmann, the writer of ‘How the World Began’ and ‘One House Over.’
In this podcast episode, an interview with the playwright of ‘We’re Gonna Be Okay’ and ‘Orange Julius.’
On the first episode of American Theatre’s newest podcast: Playwright Brian James Polak interviews Paula Vogel Playwriting Award winner Antoinette Nwandu.