Sarah Mantell, Illustrator-Turned-Playwright
The Susan Smith Blackburn Prize-winning playwright talks about a life-changing course with Paula Vogel, San Francisco, post-grad revelations, the Kilroys, joy, and loss.
Category Archives: The Subtext
From AMERICAN THEATRE magazine, a podcast where playwrights talk to playwrights about the things usually left unsaid. In a conversation that dives into life’s muck, we learn what irks, agitates, motivates, inspires and—ultimately—what makes writers tick.
This feed is for the Subtext from 2018 onward. For episodes of the Subtext from 2015 to 2017, visit https://www.youtube.com/@TheSubtextPodcast.
Subscribe to the Subtext via RSS feed, iTunes, Stitcher, Google Play, or TuneIn.
Have thoughts to share? Email the podcast at TheSubtextPodcast@gmail.com or send a tweet to @SubtextPodcast.
Migdalia Cruz Wants to Be Part of World Theatre
The Bronx-born playwright talks Fornés, trauma-informed writing, and parenthood as a writer.
Kira Obolensky’s Body of Work and Life
The Minneapolis-based playwright discusses the importance of intentional audience engagement in diverse and unconventional theatre spaces.
Subtext Redux: In Memory of Rachel Jendrzejewski
A republished Subtext as tribute to its subject, Rachel Jendrzejewski, a Minneapolis-based interdisciplinary artist and writer who died last week after a battle with cancer.
The Subtext: Diana Burbano Writes What Scares Her
The L.A.-based Colombian playwright, performer, and teaching artist talks about sources of inspiration from the Latine theatre canon and about building close artistic relationships.
The Subtext: Andrew Rosendorf Leaves It on the Page
Brian talks to the Minneapolis-based playwright about learning from criticism, connecting with collaborators, and finding his voice.
The Subtext: Rachel Bublitz Is Writing for Her Younger Self
The writer of ‘Funny, Like an Abortion’ and ‘The Night Witches’ talks about long commutes, writing science plays, and the parts she wishes she’d been able to play in school.
The Subtext: Chloé Hung and the Magic of Writing
The writer of ‘Issei, He Say’ talks about making plays from her family’s life, feeling the pressure to tell immigrant stories, and rebalancing her priorities.
The Subtext: Tim J. Lord and the Human Story
This month Brian talks with the award-winning playwright about how he went from technician to playwright, and how to find the real drama behind a true historical event.
The Subtext: Aya Ogawa, In Control
This month Brian talks with playwright, director, and performer Aya Ogawa about “hacking away with a machete” toward a career and directing their own work.
