Conflict and Community in ‘Someone Will Remember Us’
In a devised docu-theatre play earlier this year, Trinity Rep revisited a disastrous war—and a previous show—from all sides of the front line.
A deep dive behind the scenes of a production, from rehearsal to reviews.
In a devised docu-theatre play earlier this year, Trinity Rep revisited a disastrous war—and a previous show—from all sides of the front line.
The Chicago-based nonprofit A.B.L.E.’s recent show piloted a new production process, aiming to expand the work of changing public perceptions of artists with disabilities.
Born in Covid lockdown, The Exodus Ensemble is shaking the New Mexico desert with immersive work, including their new ‘HAMLET.’
In staging a revolution and its confusing aftermath, the musical ‘We Live in Cairo’ also seeks to dramatize the everyday life of Arabs.
Why and how Shakespeare Theatre Company took a starry, bloody, transatlantic ‘Macbeth’ to the warehouse.
When La Liga Teatro Elástico came to Chicago, they built a puppet parade to dramatize our ecological interdependence.
A Swedish production about teen insomnia tests the boundaries of storytelling with virtual technology.
In Miami New Drama’s production of Tectonic Theater Project’s ‘Las Aventuras de Juan Planchard,’ Venezuelan artists told a story they couldn’t tell at home.
Albany Park Theater Project partnered with Third Rail Projects to create a new immersive production that invites audiences into apartments in one of Chicago’s most diverse neighborhoods.
‘S D A (Someone Dies Again)’ may have been built by the Hungarian auteur and the California ensemble in an organic, communitarian way, but that didn’t shield them, or audiences, from its howling catharsis.