What’s in ‘HMong Futures’?
Katie Ka Vang’s play about a historic Twin Cities immigrant community became more timely than anticipated when their state was violently occupied.
A deep dive behind the scenes of a production, from rehearsal to reviews.
Katie Ka Vang’s play about a historic Twin Cities immigrant community became more timely than anticipated when their state was violently occupied.
How Brian Quijada and Nygel D. Robinson’s historical musical went from concept album to crackling live show to audio play with a timely tale of migrant and fugitive solidarity.
When adapting a horror staple to the stage, the devil is in the details.
Nearly 4 decades ago, Philip Kan Gotanda’s play tackled Hollywood’s Asian American stereotypes. A recent L.A. revival hit different, for better and worse.
With a play about homelessness at various non-theatrical locations, Out of Hand Theater created a useful fiction for real-life Atlantans.
In a devised docu-theatre play earlier this year, Trinity Rep revisited a disastrous war—and a previous show—from all sides of the front line.
The Chicago-based nonprofit A.B.L.E.’s recent show piloted a new production process, aiming to expand the work of changing public perceptions of artists with disabilities.
Born in Covid lockdown, The Exodus Ensemble is shaking the New Mexico desert with immersive work, including their new ‘HAMLET.’
In staging a revolution and its confusing aftermath, the musical ‘We Live in Cairo’ also seeks to dramatize the everyday life of Arabs.
Why and how Shakespeare Theatre Company took a starry, bloody, transatlantic ‘Macbeth’ to the warehouse.