At Arena Stage, Mary Kathryn Nagle’s ‘Sovereignty’ set out to reclaim Native stories—and bodies.
A new Atlanta revival of Kushner’s epic asks the big questions and finds fresh answers.
How Denver’s Off-Center program turned a Jazz Age nervous breakdown into an immersive spectacle.
The Cleveland troupe’s summer show took audiences on an interactive, RPG-inspired journey to a new world.
At Idaho Shakespeare Festival, alternating Hamlets mined the role’s duality—and not just along gender lines.
Local indie band Blitzen Trapper made a big sci-fi show, ‘Wild and Reckless,’ at Portland Center Stage. But was it theatre?
The Austin-based company bid farewell to their home base, the Off Center, with an irreverent ode to impermanence.
The minimalist production of Rodgers and Hammerstein’s classic brought the story to life through mime and movement.
With ‘Best of Enemies,’ New Stage Theatre in Jackson, Miss., confronted its audience with an unexpectedly timely tale of racial reconciliation.
At Children’s Theatre Company in Minneapolis, Dr. Seuss’s ‘The Sneetches: The Musical’ offered a prescient tale of discrimination and acceptance.