Lloyd Suh’s play, which will be the most-produced of the coming season, speaks directly both to our tangled past and our complicated present.
How Baldwin Wallace University turned a ‘Totally Fucked’ year into an opportunity to film a virtual production of the rock musical.
This spring, Karen Zacarías’s popular play is going up at three different theatres, and raises a prescient dialogue about border disputes and neighborly conduct.
The production at Everyman Theatre delved into a painful Holocaust history—and into its narrator’s reluctance to confront it.
At Arena Stage, Mary Kathryn Nagle’s ‘Sovereignty’ set out to reclaim Native stories—and bodies.
A new Atlanta revival of Kushner’s epic asks the big questions and finds fresh answers.
How Denver’s Off-Center program turned a Jazz Age nervous breakdown into an immersive spectacle.
The Cleveland troupe’s summer show took audiences on an interactive, RPG-inspired journey to a new world.
At Idaho Shakespeare Festival, alternating Hamlets mined the role’s duality—and not just along gender lines.
Local indie band Blitzen Trapper made a big sci-fi show, ‘Wild and Reckless,’ at Portland Center Stage. But was it theatre?