Lloyd Suh’s play, which will be the most-produced of the coming season, speaks directly both to our tangled past and our complicated present.
New memoirs by Quiara Alegría Hudes and David Adjmi describe their arduous journeys to find themselves, as well as the communities that shaped them.
The racist stereotypes and erasure perpetuated on white-dominated U.S. stages have real-world consequences outside the theatre.
What our departing senior editor’s education and writing career has to say about the value of training and experience.
The downtown playwright and theatremaker talks about her aesthetic and DIY work ethic, and how much of each she’ll bring to her new post.
The first woman to manage the $55 million Center Theatre Group offers tips on how to raise money for innovation.
Artists behind the 1977 premiere of María Irene Fornés’s groundbreaking play compare notes with artists from a new revival.
Also, a goodbye to my editorial home.
The ‘Orange Is the New Black’ actress, who once used a Ntozake Shange monologue as her go-to audition piece, is now starring in the Public Theater revival.
Among their findings: that New York’s small theatres and Chicago’s storefronts are billion-dollar economic drivers as well as cultural hotbeds.