Our current political moment both evokes theatrical analogies and provokes theatrical responses.
The key word here isn’t ‘best’ but ‘practices,’ emphasis on the plural.
The dark tide we’re facing may break, though perhaps not before it’s managed to break things.
The education and engagement programs at theatre companies remind us what this field is all about, and who it’s for.
The momentum behind gender parity in the American theatre seems unmistakable, with 30 percent of all plays and 40 percent of new ones written by women.
We happily publish photos showcasing the work of theatre designers. Is it too much for them to ask for some acknowledgement?
To tell the story of theatrical lighting design, we need to get beyond adjectives and surfaces.
The New York Times’ new 25-best-plays list shows there are plenty of great plays to argue about. Where are the arguers?
We’ve heard the field’s concerns and are now working to determine the capacities we’d need to expand our coverage.
America’s self-definition as a nation of immigrants is under threat, as are immigrants themselves. How are U.S. stages and artists dramatizing this moment?