Holding Down the Fort: Lessons from Steppenwolf’s New Work and GALA Hispanic’s History
A video convo and a Q&A with leaders of two storied companies celebrating 50 years and championing new works.
All posts by Gabriela Furtado Coutinho
Monologues and Mayday in Minneapolis
In defiance of early 2026’s harrowing ICE/CBP occupation, Mixed Blood Theatre commissioned theatre artists to process and document the moment.
What’s Next? Something Revealing!
For many educators, the close of a spring musical doesn’t ease the pressure; there’s still next year to plan!
Lisa Sanaye Dring Builds Mind Palaces
The playwright and director from Hawaii and Nevada discusses ‘Death Play,’ ‘Sumo,’ yearning, loneliness, and the wisdom of accepting loss.
The Company Way: What Happened to the Acting Ensemble Ideal
When the resident company model was more prevalent in U.S. theatres, actors had the chance to put down roots in a community. Is that dream over?
Raw Talent and Boricua Pride
A pre-conference reflection on Puerto Rico, where TCG will hold its national conference in June.
Tough Love and Liberation
In our Spring issue, we look at some long-standing structural and systemic challenges facing the regional theatre movement—and celebrate the luminous new work still being made in spite of them.
Evan Yionoulis on the Sanctity of Theatre at Juilliard, Yale, and Beyond
The renowned director and acting teacher discusses her transition into a new academic and artistic institution.
AGUARDIENTE, a Sensory Experience
GALA Hispanic’s new musical celebrating friendship and art aims to immerse audiences in the languages, rhythms, and smells of Latine and Caribbean homes.
Spring School Musicals and Educator Impact
Creating space for reflection and traditions for celebration in high school and college theatre.
