Theatrical Mustang: Vera Drew Is ‘The People’s Joker’
This month, Woodzick chats with multi-hyphenate filmmaker Vera Drew about cultivating joyful spaces for trans audiences through her DIY film ‘The People’s Joker.’
All posts by American Theatre Editors
Captioning Chicago
This month, Gabriela explores multilingual and nonverbal storytelling, Jerald remembers Kris Vire and celebrates Sondheim, and two care consultants share ways to recharge this winter.
‘Cabemos todos’: Teatristas Without Borders at L.A.’s Encuentro
The Latino Theater Company’s border-defying Encuentro, the fourth of its kind, gathered hundreds of Latine artists for productions, partnerships, and dialogues in multiple languages.
The Subtext: Jonathan Payne and the Sea of Stories
This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.
Theatrical Mustang: Jinkx, DeLa, and the Holiday Queendom
In this month’s Christmas-Halloween mashup, Woodzick chats with two drag icons about their seventh annual holiday show, as well as Seattle-based playwright Kelleen Conway Blanchard about horror and true crime-inspired projects.
A Song That Old Was Sung
This month, Gabriela describes visceral reactions to Chicago stages, Jerald highlights Steppenwolf, plus we get a Halloween preview from two local costume designers.
How to Survive an Election: Laugh With ‘POTUS’
Selina Fillinger’s popular farce about women taking control of the White House hits different this fall.
Offscript: Chicago Shakes With the World
In this month’s Offscript, we hear from three leaders who bring the world together through Shakespeare and new work. Plus, we learn about a new generative arts journalism fellowship.
The Sound of Hysteria
Deaf and hearing artists are looking for the timeless rage in a new staging of Green Day’s ‘American Idiot,’ a collaboration between Deaf West Theatre and Center Theatre Group.
The Subtext: Rachel Jendrzejewski on Presence, Poland, and Padua
This month Brian speaks with the Playwrights’ Center core writer and co-artistic director of Minneapolis’s Red Eye about chance encounters and her relationship to future thinking.
