Theatrical Mustang: Monét X Change Wants the Stage
This month, Woodzick talks with drag superstar Monét X Change about her solo Life be Lifin’, collaborating on music with BenDeLaCreme, sources of queer joy, and Broadway aspirations.
All posts by K. Woodzick
The Subtext: Kelley Nicole Girod, in It for the Drama
This month Brian talks with the playwright, producer, Fire This Time Festival founder, and Apollo Theater director of new works about drama, balance, and Louisiana history.
AT Education Monthly: A Tennessee ‘Carol’ and a Critics’ Reunion
This month spotlights a collaboration between the University of Tennessee and Clarence Brown Theatre and looks back at readers’ favorite school productions of 2024.
Theatrical Mustang: Vera Drew Is ‘The People’s Joker’
This month, Woodzick chats with multi-hyphenate filmmaker Vera Drew about cultivating joyful spaces for trans audiences through her DIY film ‘The People’s Joker.’
Captioning Chicago
This month, Gabriela explores multilingual and nonverbal storytelling, Jerald remembers Kris Vire and celebrates Sondheim, and two care consultants share ways to recharge this winter.
‘Cabemos todos’: Teatristas Without Borders at L.A.’s Encuentro
The Latino Theater Company’s border-defying Encuentro, the fourth of its kind, gathered hundreds of Latine artists for productions, partnerships, and dialogues in multiple languages.
The Subtext: Jonathan Payne and the Sea of Stories
This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.
Theatrical Mustang: Jinkx, DeLa, and the Holiday Queendom
In this month’s Christmas-Halloween mashup, Woodzick chats with two drag icons about their seventh annual holiday show, as well as Seattle-based playwright Kelleen Conway Blanchard about horror and true crime-inspired projects.
A Song That Old Was Sung
This month, Gabriela describes visceral reactions to Chicago stages, Jerald highlights Steppenwolf, plus we get a Halloween preview from two local costume designers.
How to Survive an Election: Laugh With ‘POTUS’
Selina Fillinger’s popular farce about women taking control of the White House hits different this fall.
