Even after their building was destroyed by Israeli airstrikes, the actors and artists of ASHTAR Theatre keep the show going.
How U.S.-trained director Jon Kellam has adapted global influences into a new theatrical form with the Italian company Bämsemble.
How the Iranian playwright of ‘White Rabbit Red Rabbit’ got his work produced in 50 countries, and got around the travel ban.
There’s more to it than a spot of transatlantic travel.
Facing censorship and worse in post-revolution Cairo, theatremakers resist and persist.
By flipping a few genders, Marianne Elliott’s new London revival turns Sondheim and Furth’s classic into a meditation on modern relationships.
How does the thespian’s life in Paris, London, Edinburgh compare to that of U.S. actors? For better and worse, we’re in the same boat.
In speaking truth to power, audacious young directors at a Warsaw new-works showcase conjured bracing theatrical power of their own.
Two interdisciplinary artists, paired for a Rolex mentorship, had a cross-generational exchange that spanned the globe and many cultures and languages.
In Senegal and Cote d’Ivoire, theatre persists despite declining government support and lingering questions about who it’s for.