The Body Politic in Josep Maria Miró’s Plays
The Spanish dramatist, now in residency with NYC’s PlayCo, talks about his love for Pinter, his close work with translators, and the radical transformations made possible by live theatre.
Category Archives: Global
Immigrant Theatre Artists Join to Fight Xenophobia, Provide Resources
The new Immigrant Theatermakers Advocates initiative, grown out of programs by 2 New York companies, plans to build community and provide resources for immigrant artists.
The Borders of Our Lives: A Bilingual Dialogue About ‘The Frontera Project’
How 2 directors on either side of the U.S./Mexico border created a traveling theatre piece that both demystifies and complicates the stories of fronterizos.
Directors’ Choice: A Talk With Dmitry Krymov and Anne Bogart
At La MaMa last spring, the two directors gathered to talk about actors, audiences, censorship, dislocation, and the haven of the rehearsal room.
Russians Beyond Compassion in Andriy Bondarenko’s ‘Ghost Land’
In a triptych of plays, now onstage in Santa Monica, Calif., the Ukrainian playwright responds with ferocity to the invasion of his country.
Revisiting ‘Mr. Green’: The Rewards of Keeping a Play Fresh
Why has my 1997 two-hander proven so durable around the world? It might have something to do with my attention to detail in the many translations and updates.
The Complicated Triumph of ‘Here Lies Love’
David Byrne’s Broadway musical is a breakthrough for Filipino American performers, but at what cost to the historical truths it dances around?
Lost and Found in Translation: Where Are All the International Plays?
The Cherry Arts artistic director talks with leaders at other companies programming works in translation about what a more global approach could mean for the U.S. theatre.
Further Down the River
As the play-commissioning project Nuestro Planeta turns 1, a writer-director team revisits Colombia and learns of the strength of the Amazon communities.
‘200 Years’ That Brought American and Liberian Artists Together
To mark the bicentennial of Liberia’s founding by formerly enslaved and free Black Americans, a troupe from the Colonial Williamsburg Foundation joined with Liberians to make theatre about it.
