Our Man in Kraków: Dispatches From Divine Comedy
This correspondent returned eagerly to a place where theatre still matters in a troubled world, even if it can’t quite make sense of it.
This correspondent returned eagerly to a place where theatre still matters in a troubled world, even if it can’t quite make sense of it.
The Latino Theater Company’s border-defying Encuentro, the fourth of its kind, gathered hundreds of Latine artists for productions, partnerships, and dialogues in multiple languages.
In this month’s Offscript, we hear from three leaders who bring the world together through Shakespeare and new work. Plus, we learn about a new generative arts journalism fellowship.
A playwright travels to his parents’ home country and plants the seeds for a new play with Hero Theatre’s Nuestro Planeta project.
For decades as the leader of the Center for International Theatre Development, this tireless impresario brought theatre artists together and delighted in the sparks that flew.
A Swedish production about teen insomnia tests the boundaries of storytelling with virtual technology.
In Rio, Curitiba, and São Paulo, theatre spills into the streets as part of an ongoing effort to expand access and expression across Brazil’s socioeconomic and political divides.
A recent visit to Korea demonstrated that musical theatre can offer emotional and visual journeys beyond language, though not every choice translates well.
The festival’s leader accounts for what has been lost and gained from the “divorce” from the Public Theater, and what this year’s multi-venue iteration has in store.
Artistic director Ahmed Tobasi has been released, while general manager Mustafa Sheta and others remain detained.