Nidia Medina & Lou Moreno: There’s No Place Like INTAR
As one artistic director hands the reins to another, both reflect on the storied NYC theatre’s legacy, aesthetic, and future.
As one artistic director hands the reins to another, both reflect on the storied NYC theatre’s legacy, aesthetic, and future.
A seasoned regional theatre leader who currently serves as managing director of San Francisco’s ACT, Bielstein is at last taking a leadership role in her home state.
Taylor Mac, whose new play ‘Prosperous Fools’ is loosely inspired by ‘Le Bourgeois gentilhomme,’ and Jeffrey Hatcher, who has a new adaptation of ‘The Imaginary Invalid,’ talk satire, philanthropy, and healthcare.
Orchestrator Doug Besterman (‘Death Becomes Her,’ ‘Boop!,’ ‘Smash’) and music director/arranger Marco Paguia (‘Buena Vista Social Club’) compare notes.
Ahead of concerts at Steppenwolf and Ravinia, Kelli O’Hara reflects on her journey, artistry and breath work, and the “service” of performing.
The busy actor has stocked an International Theatre Festival at the Venice Biennale with heavy hitters—including the one that formed him, the Wooster Group.
Her new play at the Catastrophic Theatre draws on both the experimental sensibility of PearlDamour and on the unsettled naturalism of ‘Detroit.’
Their two-hander about cousins sharing grief and comparing plans for utopia is part of the writer’s growing body of work.
With an intimate new staging of Ibsen’s thorny ‘Ghosts,’ the versatile director and seasoned producer, who’s nearing the end of his LCT tenure, are not going quietly.
His new play ‘The Antiquities’ offers a kind of history of our post-human future, while a new collection of his plays suggests some common themes.