Tina Landau, World Builder
The ‘SpongeBob’ director has built a career on experimentation, even within traditional forms. Her next assignment: a musical of ‘Dave.’
Interviews
Kris Vire’s Newest Review: Of His 13 Years as a Chicago Theatre Critic
The recently laid off editor of Time Out Chicago reflects on the scene he’s covered and the state of arts journalism.
Leslye Headland on Sin, Certainty, and Harvey Weinstein
After a decade, she concludes her ‘Seven Deadly Plays,’ and finally opens up about her time working at Miramax.
Les Waters’s Vision of Life
The outgoing artistic director of Actors Theatre of Louisville talks about new plays, directing vs. interpreting, and his impressive beard.
David Henry Hwang: Backward and Forward
This season, America’s leading Asian-American playwright revisited his most famous play, ‘M. Butterfly,’ and wrote a new musical, ‘Soft Power.’
Why Phylicia Rashad Will Never Direct Herself
She is directing two productions back to back; here’s how she chooses her projects.
Sarah McLellan: EST’s Developing Story
She brings an administrative brain to a small, hardy new-play company on the verge of an upgrade.
Joe Mantello: The Way We Do the Things We Do
As a director, he’s interested in how people act on each other; he also has a visual instinct. Both came in handy for ‘Three Tall Women.’
Matt Shakman’s Geffen: In With the New
The theatre’s new artistic director hopes to make it a home for new plays and a wide range of voices that reflect Los Angeles.
John Guare’s ‘Lydie Breeze’ Blows Back in 3 Parts
The 19th-century drama, now in trilogy form, has its premiere at Philly’s EgoPo Classic Theater.