She may be alone onstage for the performance, but she contains—and reflects—multitudes.
As she steps into a new role at D.C.’s Folger Theatre and Library, she’s focused on how a repurposed Bard can help build community.
In her successful soap writing career, she used new-play development skills she honed at the O’Neill and New York Theatre Workshop, among others.
The 8 individuals in this year’s cohort don’t just make theatre; over the past year and going forward, they are all about making change.
The founder of Contemporary American Theater Festival looks back on 31 years of producing new plays in rep.
Brittani Samuel, Jose Solís, and Sarah Rose Leonard will lead the site, originally founded by Sarah Ruhl and Julia Jordan, aimed at diversifying the critical discourse.
Tackling the iconic role at 82, the stage and screen actor resonates with the aging monarch’s struggle to maintain control.
The director of Berkeley Rep’s new-works development program reflects on the way the theatre has changed, and still needs to change.
The composer/lyricist/librettist/actor broke ground in theatre, music, and TV, and still had more to say.
A co-founder of Free Southern Theater reflects on forming the theatrical arm of the Civil Rights Movement.