André Gregory: ‘The Creative Process Is Very Mysterious’
The legendary director has had a Zelig-like journey through the culture, from regional theatre to Hollywood, Strasberg to Grotowski.
Interviews
‘A Happy, Fulfilled Mother Is a Good Mother’
Emily Mann and Mary Hodges discuss their experiences as working parent artists, and the hard-won wisdom they’ve gleaned along the way.
Morgan M. Manfredi: On the Rise
Manfredi, a former assistant managing director of Creede Repertory Theatre, recently stepped into the role of managing director.
At Long Last, Eduardo Machado Faces Fidel
The Cuban American playwright, who knew the former dictator as a child, makes him the subject of his new play at Arena, ‘Celia and Fidel.’
Leigh Fondakowski on ‘Laramie,’ 20 Years Later
The show’s head writer, Leigh Fondakowski, looks back at the groundbreaking piece of documentary theatre and its continued relevance in an era of rising hate crimes.
Simon Russell Beale: Power Plays
The ‘Lehman Trilogy’ star talks about not judging his characters, the right age to play Lear, and what he’s learned from playing royals.
Tony Hale Doesn’t Mind Typecasting
The ‘Arrested Development’ and ‘Veep’ actor lives in the moment for Will Eno’s ‘Wakey, Wakey’ at ACT in San Francisco.
Charles Fuller: Write Without Fear or You’re Wasting Time
Though his 1982 hit ‘A Soldier’s Play’ is now on Broadway, its writer’s only real ambition has been to tell the truth about people he’d never seen onstage.
What Is the Question?
Watching and helping John Guare build his plays inspired his erstwhile assistant to do the same.
Ken Ludwig’s Love Letter to His Pen-Pal Parents
The comic playwright’s new play ‘Dear Jack, Dear Louise’ is based on his parents’ WWII courtship by mail.