Curt Columbus Stages His ‘Getaway’ From Trinity Rep
The historic Providence theatre’s artistic director, whose last play at its leader is ‘The Getaway Driver,’ recalls his two-decade tenure, and talks about what’s next.
The historic Providence theatre’s artistic director, whose last play at its leader is ‘The Getaway Driver,’ recalls his two-decade tenure, and talks about what’s next.
For this actor-turned-director, the job of running one of the U.S.’s biggest nonprofit theatres is less about finding an artistic home for herself than making a home for others.
A La MaMa resident artist has a multi-generational check-in with Lypsinka, a.k.a. John Epperson, on an art form that can go deep by channeling widely.
The renowned director and acting teacher discusses her transition into a new academic and artistic institution.
Performer, director, and educator Isel Rodríguez walks us through the archipelago’s distinct theatre landscape.
The company’s new artistic director talks about leading the nation’s longest-standing theatre company dedicated to the Middle East.
The time the judges honored both Reddick’s surreal ‘Cold War Choir Practice’ and Doran’s gritty ‘The Meat Kings! (Inc.) of Brooklyn Heights.’
In advance of TCG’s upcoming National Conference in San Juan this summer, Rosalina Perales discusses Puerto Rico’s theatre evolution.
The 95-year-old actor reflects on her rich and rewarding stage career, and the life it drew from and made for her.
The D.C. theatre’s incoming artistic director reflects on his path to leadership, the importance of risk-taking, and possibilities for brave new theatre.