As she moves from Maine’s Penobscot Theatre to Miami’s GableStage, she prioritizes professionalism, depth, and community service.
Can sound journalism expose and end workplace abuse in the entertainment industry? If sources are ready to talk, she’s ready to report.
As a new version of ‘Pass Over’ gets ready to reopen Broadway, its playwright is poised for a fresh chapter.
The founder and artistic director of New Federal Theatre, who retired from the post in June, reflects on a storied, pathbreaking career.
A choir founded during the AIDS crisis stages a revivifying concert amid another pandemic, as longtime leader Michael McElroy moves on.
The stage and screen giant, recently appointed dean of Howard University’s College of Fine Arts, looks back—and ahead—on an extraordinary career.
A former dancer, now on the board of the Performing Arts Alliance and Alternate ROOTS, Ramos is on a mission to redistribute the nation’s cultural bounty.
As San José takes the reins of the Bay Area’s Magic Theatre, he’s set to bring his Campo Santo ethos to a larger platform.
At 94, the multi-hyphenate artist and Obie-winning playwright reflects on a long career in and around the theatre.
Producing the audio play ‘Ich Bin Ein Berliner’ didn’t just spark personal memories; it also spurred reflections on who theatre is for and what it can do.