How to Write a Viral Play, According to Nassim Soleimanpour
How the Iranian playwright of ‘White Rabbit Red Rabbit’ got his worked produced in 50 countries, and got around the travel ban.
Interviews
Emily Mann: ‘It’s Time for the Next Wave’
When McCarter’s longtime artistic director leaves in 2020, she plans to do more of what brought her there 30 years ago: writing and directing.
Bill T. Jones on Slumming, Stephen Foster, and Trump’s Second Term
In ‘Paradise Square,’ the choreographer of ‘Fela!’ imagines the promise of New York’s first slum and the violence of the Draft Riots of 1863.
Stephanie Ybarra, Creative Producer
After honing an engaged producerial approach at the Public Theater, she takes the helm of Baltimore’s Center Stage.
Jefferson Mays Is Doing ‘A Christmas Carol,’ By Himself
The Tony-winning actor promises his version of Charles Dickens’s classic will not be so jolly, because of income inequality.
Stockard Channing Isn’t Just Playing a Strong Woman
The award-bedecked actor, revisiting a role in ‘Apologia,’ says she seeks out work that can stimulate conversation.
Aasif Mandvi Wants to See (and Play) More Everyday Asians
The former ‘Daily Show’ correspondent revives ‘Sakina’s Restaurant’ after 20 years, marking how far we’ve come in Asian representation, and how far we’ve yet to go.
Hana S. Sharif: Artistic Liaison
Moving from Baltimore’s Center Stage to the Repertory Theatre of St. Louis, Sharif gives impressions of both cities and the work ahead.
Joel Grey’s Yiddish ‘Fiddler’ Tells a Story That’s Still Going On
He once dreamt of starring as Tevye, but directing the show’s U.S. premiere in Yiddish will do just fine for the son of Mickey Katz.
Conor McPherson, Bringing Dylan Back Home
How did an Irish playwright put an American icon’s music on the stage? It helped to think a bit like a songwriter.
