José Rivera and the Family Storm of ‘The Hours Are Feminine’
The playwright’s new play at Intar draws on his own youth for lessons about masculinity, assimilation, and language.
Support American Theatre! A just and thriving theatre ecology begins with information for all. Please join us in this mission by joining TCG, which entitles you to copies of our quarterly print magazine and helps support a long legacy of quality nonprofit arts journalism.
The playwright’s new play at Intar draws on his own youth for lessons about masculinity, assimilation, and language.
With a 7-show season at 2 of Center Theatre Group’s venues, the new artistic director is putting special focus on reviving the beloved, beleaguered Mark Taper Forum.
The founding artistic director of the influential New York City performance venue talks about the shows she’s loved, the changes she’s seen, and the road ahead.
The busy writer was brought on to preserve the essence of the iconic show, while pruning dated language (and adding fresh jokes).
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
The 3 writers in Second Stage’s Judith Champion Reading Series—Sarah Mantell, D.A. Mindell, and Kaela Mei-Shing Garvin—reflect on their plays and their process.
Set to depart at the end of 2024 after six years at the helm, Lorca discusses her people-centered approach and love for the company.
A dialogue on how students, teachers, and parents can push back against a wave of conservative legislation and intimidation that threatens to chill theatrical expression.
A tenor known for romantic leads, the actor-singer tackles the iconic demon barber with only a slight key change and an emphasis on the humanity as much as the horror.
From an instant connection at a workshop to world premiere productions, the creative duo’s working relationship has continued to blossom over the years.