The first woman to manage the $55 million Center Theatre Group offers tips on how to raise money for innovation.
Artists behind the 1977 premiere of María Irene Fornés’s groundbreaking play compare notes with artists from a new revival.
The ‘Orange Is the New Black’ actress, who once used a Ntozake Shange monologue as her go-to audition piece, is now starring in the Public Theater revival.
The Broadway veteran, still kicking in ‘Hadestown,’ has blazed a path so that others may follow.
The co-founding leader of Ithaca’s Civic Ensemble prepares to take the helm of the similarly community-minded HartBeat Ensemble in Connecticut.
Armed with the idea that truth-telling and empathy don’t have to be mutually exclusive, they founded Rescripted, an independent Chicago theatre publication.
Playwrights Horizons’s outgoing artistic director has always programmed the plays he’d like to see, and sometimes plays his subscribers don’t.
Though Broadway has pulled her back for Adam Rapp’s ‘The Sound Inside’ and Paula Vogel’s ‘How I Learned to Drive,’ she’s thinking of quitting the stage.
Succeeding Sara Holdren at New York magazine, Shaw will shine her unblinking critical light on works big and small.
For the actor/dancer it’s all about storytelling around the campfire, whether it’s theatre, dance, or AC/DC.