Five credentialed writers have bucked the trend of arts journalism cutbacks to create a new review website.
Our nation’s Native history is all around us, if we would only pay attention. One place to look: at a rising generation of Native theatremakers.
After years of nurturing writers and performers, the work of L.A.’s Native American theatre is finally paying off.
What do we owe to this quarter-century-old American classic? More life.
Tony Taccone, a co-pilot for the first flight of ‘Angels in America,’ brings Kushner’s epic back home to Berkeley.
The Oregon Shakes leader will cross the country to take on a new challenge: to lead a performing arts center at New York’s World Trade Center.
After leading a big transition at Portland Center Stage, he’s making one of his own to take the reins at Denver Center Theatre Company.
The Tony-winning Broadway and regional freelance director succeeds longtime leader Carey Perloff.
A healthy economy may be one pretext for renewed fundraising appeals—but then again, so could an unpredictable new tax regime.
This month: training for directors, IP for non-writers, the state of queer theatre, diversiyfing theatre training, and West African stages.