The longtime critic and reporter, now theatre and dance editor at the Chicago Reader, gives her take on the city’s vibrant, often misunderstood theatre scene.
The city’s chief critic sees his job as not just evaluating local work but exposing it to a wider audience.
With ‘Blue’ opening this week at Glimmerglass, the composer reflects on her approach to music and meaning, and leaks her ambition to make a musical film.
Stage sound comprises more than dialogue, effects, and music, and the folks who design it are doing more than mere augmentation.
From Edwidge Danticat to Wesley Morris, from Quiara Alegría Hudes to Lee Breuer, this year’s four tentpole gatherings were as rich and stimulating as the Florida city.
The writer/performer is back with a tour celebrating his pathbreaking musical and a dark, funny new podcast series that may be his most personal work yet.
Artistic director of the Tony-winning TheatreWorks, who will step down in 2020, looks back on 50 years of growth and new work.
How the Tony-nominated star of ‘To Kill a Mockingbird’ stays in the moment, even a complicated one.
Coming this fall: a new artist-driven online journal from the Lillys that aims to widen and diversify the discourse.
As they take over the regular beat from Hilton Als, the two talk about where they come from and what they’re looking forward to.