Tim Sanford: Not Averse to Being Perverse
Playwrights Horizons’s outgoing artistic director has always programmed the plays he’d like to see, and sometimes plays his subscribers don’t.
Stories by Rob Weinert-Kendt
Rob Weinert-Kendt is editor-in-chief of American Theatre. He was the founding editor-in-chief of Back Stage West and writes about theatre for the New York Times, Time Out NY, and the Los Angeles Times. He studied film at USC and is a composer member of the BMI Lehman Engel Musical Theater Workshop.
Helen Shaw Wants To Be the Anthony Bourdain of Theatre
Succeeding Sara Holdren at New York magazine, Shaw will shine her unblinking critical light on works big and small.
Up Close and Personal
Small theatre is an aesthetic as well as an economic designation, and both aspects deserve attention.
Tovah Feldshuh as RBG: Though She Be But Little, She Is Fierce
An actor known for playing great women leaders takes on the shy, brilliant Supreme Court justice in the two-hander ‘Sisters in Law.’
An Adrienne Kennedy State of Mind
The subject of our September cover is a fiercely individual American master.
Kerry Reid, Windy City Witness
The longtime critic and reporter, now theatre and dance editor at the Chicago Reader, gives her take on the city’s vibrant, often misunderstood theatre scene.
Calvin Wilson: On the Aisle in St. Louis
The city’s chief critic sees his job as not just evaluating local work but exposing it to a wider audience.
Jeanine Tesori Feels the Pull of Opera
With ‘Blue’ opening this week at Glimmerglass, the composer reflects on her approach to music and meaning, and leaks her ambition to make a musical film.
Lend Me Your Ears
Stage sound comprises more than dialogue, effects, and music, and the folks who design it are doing more than mere augmentation.
Plenaries of Plenty: Reporting From #TCG19 in Miami
From Edwidge Danticat to Wesley Morris, from Quiara Alegría Hudes to Lee Breuer, this year’s four tentpole gatherings were as rich and stimulating as the Florida city.