We know too well the laments about shrinking critical jobs and authority. But are we looking for the future in all the wrong places?
The bad news: a huge drop in charitable giving and no itemized deductions for freelancers. The good news? An amendment could fix the giving part.
The Broadway singer returns to the music of her childhood and discovers some new angles.
The challenge for artists: to keep our attention on human stories and larger questions, not on our distractor-in-chief.
At Intrepid Theatre, costumes for Suzan-Lori Parks’s Civil War-set take on ‘The Odyssey’ evoke both the past and the present.
For this year’s preview of U.S. theatre’s offerings, we look at the how and why as much as the what.
Our magazine doesn’t include the Bard on its annual most-produced lists, but this year he snuck his way to the top anyway.
Once again, new plays far outnumber revivals and classics—and they’re the only sector in which the playwriting gender gap is narrowing.
For all its heightened relevance and accountability, documentary theatre can’t be constrained by its subject.
New York magazine’s new critic is also New York’s newest critic, and she says she’s as ready to listen as to talk.