Language in the Driver’s Seat in ‘Racecar Racecar Racecar’
Kallan Dana’s intimate, unsettling play, a production of The Hearth redirected from the shuttered Connelly Theatre, reemerges at A.R.T./New York.
Kallan Dana’s intimate, unsettling play, a production of The Hearth redirected from the shuttered Connelly Theatre, reemerges at A.R.T./New York.
Sondheim and Weidman’s masterpiece about Japan’s ‘opening’ to the West returns to an L.A. company whose history with the show is as tightly intertwined as its subjects are.
In Anna Ouyang Moench’s new backstage comedy, a regional theatre actor looks to avoid becoming a real-life Scrooge.
The venerable East Bay theatre, which offered classics outdoors for 50 years, is another casualty of the punishing economics of theatre since the end of the Covid lockdown.
Our season preview and most-produced plays lists show a theatre scene still feeling the effects of contraction but continuing to show up for the work against steep odds.
In the new docu-theatre piece ‘The Ford/Hill Project,’ the words of Christine Blasey Ford and Anita Hill—and their interrogators—live again onstage.
There was no physical damage to the theatre building, but the company’s fate feels precarious, and not just due to the hurricane, said artistic director Charlie Flynn-McIver.
Heidi Schreck’s ‘What the Constitution Means to Me’ tops the list for the second year in a row (*11 due ties).
Kate Hamill and Rajiv Joseph tie for the top spot on a diverse list of dramatists and adaptors (*23 due to ties).
2 new books show and tell the instructive story of Arena’s path-breaking co-founder, Zelda Fichandler—both the work she did and the work she left for us to continue.