Burning Down the Spouse
A new book looks at the marriages of convenience—and backstage inconveniences—behind the filming of ‘Who’s Afraid of Virginia Woolf?’
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A new book looks at the marriages of convenience—and backstage inconveniences—behind the filming of ‘Who’s Afraid of Virginia Woolf?’
Branden Jacobs-Jenkins’s world premiere play about a Black political dynasty is the latest in Steppenwolf’s lineage of explosive work crafted around their acting ensemble.
Efforts like Fat Theatre Project and Broadway Bods are fighting for more opportunities for performers who identify as fat and to change the way they’re seen onstage.
The diversification of theatre design starts—but doesn’t end—with training.
This month, theatres are still making tough programming choices as they look hopefully toward growing into the future, plus thoughts from Willow James and Tiffany Keane Schaefer.
From an instant connection at a workshop to world premiere productions, the creative duo’s working relationship has continued to blossom over the years.
A new Dada-influenced work from this longtime Children’s Theatre Company member explores the intersection of sound and language.
First it was cancelled, then it wasn’t, then the students couldn’t talk about it. Now that the show actually went on, it’s worth asking: Were this school district’s precautions about safety or silencing?
Known for their artist’s residency, this company offers community-focused work, including performances on the White River in Indianapolis.
The Chicago ensemble theatre, which put this past season on pause, begins space renovations this spring and will return with programming in the fall.