How the endowment and American Theatre Wing’s national musical theatre songwriting competition is supporting tomorrow’s creators today.
The year-long project aims to put teen voices at the front of a nationwide conversation about gun violence.
The company’s new 6-week conservatory program aims to provide tools for a collaborative rehearsal process.
Her contributions to the field of properties directing are paving the way for designers, especially women.
Boston’s Suffolk University will present the entire set of Wilder’s ‘Sins’ one-acts for the first time in one program.
The popular improv troupe is teaching folks its blend of improv and freestyle rap, and one of its students is now with them on Broadway.
How bloodsucking vampires, headless horsemen, and ghostly encounters are bringing new patrons to theatres around the country.
Though Broadway has pulled her back for Adam Rapp’s ‘The Sound Inside’ and Paula Vogel’s ‘How I Learned to Drive,’ she’s thinking of quitting the stage.
Order up! Roundabout’s first musical commission resets the Scottish play in a burger joint.
Injuries are part of the gig, but performers shouldn’t be expected to give till it literally hurts.