I’m boarding a plane to Los Angeles today for a mix of business and pleasure, and it feels like a last summer hurrah. Though I won’t be heading back to a classroom soon, I still love the sense of renewal August brings as summer fades and school begins again.
Earlier this month, I had the honor of speaking with Pulitzer Prize-winning playwright James Ijames about his new teaching position at Columbia University, and it made me want to enroll and get some fresh notebooks.
Ijames spent the past decade teaching acting at Villanova, a full-time position that enabled him to expand his creative life. “That teaching position allowed me to really shift my focus, my artistic practice, to playwriting in a really intentional way,” says Ijames. Now, the multihyphenate is broadening his role as an educator to include writing. He’ll be teaching a rewriting course and a class on contemporary American plays this fall at Columbia.
“I love the tumble of theatre—that there’s so many people that are required to make it,” Ijames said. “I like the learning environment for theatremakers to have that kind of oil to it, you know? It’s got energy, it’s not so siloed that things are clashing, and the students are intersecting in really purposeful and interesting ways. I thought that Columbia was a place that already has some of that infrastructure.”
Coming from a family of educators, Ijames credits many teachers with shaping his journey as an artist, most notably Carol Mitchell-Leon, who directed him in Once On This Island, the production that solidified his path in the theatre. “She is the one who taught me that a big part of what you do as a professor is that you believe in your students—even when they’re aggravating you, even when they’re being entitled, even when they’re all the things that come with youth. You have to believe in them.”
Building on the lessons of his own teachers, I asked James what he hopes will stay with his students long after they leave his classroom. “That I required them to think deeply, speak in draft, and to really cultivate the great courage that it takes to be compassionate.”
Speaking of impactful educators, I had the privilege of spending a day with arts administrators and teaching artists at Lincoln Center Theater’s convening for multilingual educators earlier this year. You can read more about the experience here.
Wishing all you educators the best as you gear up to return to new and familiar classrooms.
✏️Around the Web✏️
- Rubén Polendo has been announced as the new dean of NYU Tisch School of the Arts.
- Westcoast Black Theatre Troupe in Florida has announced its artist development scholarships, which provide eight young aspiring artists with $2,000 scholarships.
- More awards! Broadway Licensing Global has announced the recipients of its String Grant, created in partnership with the Educational Theatre Foundation; Atlantic Theater Company has announced the 2025 Judith Champion Launch Commissions; and Candela has named the playwrights selected for its Summer Fellowship program.
- Arts educators in Illinois are worried that a new performance rating model will put arts education programs at risk.
- Love this spotlight on Alison Jaye of Broadway’s Stranger Things about her start as a child actor.
- Read this full-circle story of a former student who returned as the education director at her Delaware theatre program.
- A wonderful piece on another arts educator’s journey to the classroom.
- On my reading list: Alexis Soloski’s new thriller Flashout, featuring a drama teacher as the protagonist.
- Check out these back-to-school resources for drama teachers.
- Here are some more resources from the National Endowment for the Arts for returning to the classroom.
💫 On Social Media 💫
Teachers, what’s your favorite way to stay inspired when you're not teaching?
AT Readers Respond:
O Michael Owston
Offer yourself grace.
Jason V Howard
Breathe. Keep breathing and smiling—whatever happens.
Matt Dougall
Pace yourself. You can’t do it all the time. An alternative piece of advice is to get out while you can! Both are very valuable.
Doug Campbell
Collaboration is the key. Let them write their own scenes and monologues, and a few will write full plays! Never a bad move to let them write and direct their own work.
Brenny Campbell
Listen deeply to your students. They will lead you to what they want and need. You will learn what you know and believe in their eyes, their work, and their struggle. Beware of the young actors who want to worship at your feet. They don’t crave you. They crave the art you all will create together.
Jennifer Katona
Find your people! And your support system! www.schooltheatre.org
Read more great responses here.
📰From the Archives📰

The Subtext: James Ijames, From Grandma’s Backyard to Broadway
This month Brian talks to the ‘Fat Ham’ playwright about the art-loving family he came from and the communities he’s found in theatre and in Philly.
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