The Subtext: Rachel Jendrzejewski on Presence, Poland, and Padua
This month Brian speaks with the Playwrights’ Center core writer and co-artistic director of Minneapolis’s Red Eye about chance encounters and her relationship to future thinking.
This month Brian speaks with the Playwrights’ Center core writer and co-artistic director of Minneapolis’s Red Eye about chance encounters and her relationship to future thinking.
There was no physical damage to the theatre building, but the company’s fate feels precarious, and not just due to the hurricane, said artistic director Charlie Flynn-McIver.
A roundup of prizes, fellowships, and other recognitions.
On this episode we broke the news of which plays and playwrights will be the most produced this season. Listen in on a conversation between the editors and some most-produced playwrights on new play development.
2 new volumes by and about a pioneering Appalachian company celebrate decades of work, though they also deserve scrutiny.
An interview with the playwright of ‘Salesman之死,’ about Arthur Miller’s collaboration with Chinese theatremakers on the premiere of his signature play in Beijing in 1983.
A new study measures the city’s artistic success by the more than 4,500 artists employed and over 1,800 productions, exhibitions, and special events programmed each year.
He succeeds outgoing executive director John Martin and joins the company as they begin their 27th season.
The directors of this iconic NYC festival, now a city-wide celebration since losing its longtime home, aren’t just planning next January’s programming but the fest’s next 20 years as well.
Chan began her duties in August, and predecessor Michelle Mulholland will work with her through the end of the year to support the transition.