She Built Herself a Home
Ahead of concerts at Steppenwolf and Ravinia, Kelli O’Hara reflects on her journey, artistry and breath work, and the “service” of performing.
Ahead of concerts at Steppenwolf and Ravinia, Kelli O’Hara reflects on her journey, artistry and breath work, and the “service” of performing.
An original collaborator on ‘The 25th Annual Spelling Bee’ recalls its intense creation and the generous spirits that blessed it.
The brilliant composer/lyricist is remembered by a Tony-winning collaborator for his unique, unpredictable taste and his fierce but unassuming craft.
Scéal Nua regularly gathers writers with varied relationships to a common heritage to develop their work in a culturally responsive setting.
Candle House Collective’s personalized immersive experience engages participants in a series of 20-minute phone calls that can go to some very odd, personal places.
Altadena Arts and Eliot Arts Magnet School students will perform ‘Shrek Jr.’ at the Ahmanson next week.
Equity’s Hiring Bias and Wage Gap Report shows gradual, positive steps towards a fairer industry.
A national initiative led by theatremaker Bo Frazier will develop new works about the often overlooked history of gender nonconformity.
Guided by a vision that was as much philosophical as theatrical, he built—and tenaciously defended—an influential theatre that ran against the grain in an industry town.
‘John Proctor is the Villain,’ now on Broadway, is just one in a spate of recent plays that offer feminist correctives to ‘The Crucible’ and ‘Death of a Salesman.’