What’s Left Standing of Kennedy Center Education and TYA?
The Center’s roles as an incubator of new work for young audiences, and as a generous host for the American College Theater Festival, will be hard to fill.
The Center’s roles as an incubator of new work for young audiences, and as a generous host for the American College Theater Festival, will be hard to fill.
Yosimar Reyes’s new play at Teatro Visión in San Jose explores the inter-generational defenses of Latine folks targeted by ICE raids.
A longtime colleague recalls his time working for and with the storied director and producer.
On this jam-packed episode, we talk to the star and director of ‘Hedda Gabler’ at the Old Globe, the writer and co-director of ‘Chez Joey’ at Arena Stage, and the writer of a key story in our new training issue.
This edition includes milestones related to Langston Hughes, Montreal’s Black Theatre Workshop, Tennessee Williams, and Lucas Hnath.
Play On Shakespeare’s Head of Partnerships shares three ways to expand the thinking around ingrained collaborative dynamics.
This edition features artists, leaders, and educators bringing the heat in Arizona theatre.
How a grad student’s puppetry arts thesis, a Peter Pan adaptation, is dismantling patriarchy with Connecticut Repertory Theatre.
The maker of the original film reflects on how his gory fable about vagina dentata became a savagely witty stage musical by Anna K. Jacobs and Michael R. Jackson.
Terence Anthony’s new play is a different kind of Western, following a woman who escapes slavery to become a kind of avenging outlaw.