Playwrights Horizons’s outgoing artistic director has always programmed the plays he’d like to see, and sometimes plays his subscribers don’t.
Though Broadway has pulled her back for Adam Rapp’s ‘The Sound Inside’ and Paula Vogel’s ‘How I Learned to Drive,’ she’s thinking of quitting the stage.
Keen Company’s new production of Brian Friel’s 1994 play reckons with its views of blindness and female bodily autonomy.
The Alley Theatre’s founder built it for Houston, and built it to last.
Succeeding Sara Holdren at New York magazine, Shaw will shine her unblinking critical light on works big and small.
For the actor/dancer it’s all about storytelling around the campfire, whether it’s theatre, dance, or AC/DC.
Fleming brings his vast experience working as a multidisciplinary artist across the U.S. back to his home state of Kentucky.
From the birth of James Allen Bland and Victory Gardens to landmark premieres for Mary Martin and Erik Ehn, October has been a momentous month for theatre.
Taking my father, a Parkinson’s patient and stroke survivor, to the current Broadway revival was a challenge, but well worth it.
Honolulu Theatre for Youth’s longtime managing director forever changed TYA, in the islands and beyond.