Conor McPherson, handed Bob Dylan’s complete song catalogue, no strings attached, brings it all back home.
The Austin troupe’s new immersive piece offers audiences an interactive space to wander, watch, play—and reflect on the world.
I and others like me could lead our field to greater equity and inclusion, if we’re given the chance—and if we even want it.
My play about sexual assault has moved and inspired so many people, but first it rewrote me.
From an activist in Oakland, Calif., to a scenic artist in Atlanta, from an educator in Los Angeles to a producer in New York City, check out this month’s cohort of theatre workers.
From the repeal of a Pennsylvania anti-theatre law to the premieres of ‘Oklahoma!’ and ‘M. Butterfly,’ March was a memorable month for theatre.
One of the few major theatre between Minneapolis and Seattle has grown from a statewide traveling troupe to a national touring company.
A designer who continually remade the Performing Garage and the Wilma, he was also a ready teacher, mentor, and problem-solver.
College students question an editorial in which a university professor lamented the hurdles of teaching Kushner’s gay fantasia.
He didn’t set out to write shows any more than I did, but when the music and the theatre called, we followed.