Equal Accessibility for Deaf and Hearing Audiences? It’s Possible!
How a new staging of ‘Cinderella’ is bringing Deaf/hearing theatre out of the ‘shadows.’
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How a new staging of ‘Cinderella’ is bringing Deaf/hearing theatre out of the ‘shadows.’
A spate of new productions and adaptations explore the geopolitical and theatrical legacies of an empire in decline.
Why and how Shakespeare Theatre Company took a starry, bloody, transatlantic ‘Macbeth’ to the warehouse.
How this magazine got off the ground, and the ground it’s covered since.
The artistic director of the Magic Theatre talks to the playwright of ‘The Travelers,’ the playscript in our Summer print issue, about poetry, process, and possibility.
How the season’s theatre festivals are faring amid rising costs, fickle audiences, and the warming planet.
Bart DeLorenzo directs Noël Coward’s original ‘throuple’ play at the Odyssey.
This diverse group of multi-hyphenates are spreading their wings across Houston and beyond.
The Theatre Communications Group National Conference in Chicago offered much-needed interconnectedness, resources, and hope for a culture at the crossroads.
This year’s conference offered questions, realizations, and opportunities to explore what change can and should look like.