The Twin Cities company, which joins audiences and stories, recently brought together theatremakers to share its intimate, immediate model.
How individuals and institutions are working to address and prevent sexual harassment in the theatre industry.
Lauren Gunderson and Margot Melcon’s new play, a sort of ‘Pride and Prejudice’ sequel, makes a bid for the holiday canon.
How the playwright came to write her searing and sweeping play, and why she cares as much about her audience’s dialogue as her own.
In addition to the usual perennial holiday fare, December shows repurpose classic tales for all ages.
I spoke and emailed with more than 100 people who have suffered harassment without redress in theatre workplaces. What does that say about the field?
Readers respond to a story about the history of Suzuki and SITI Company, and an article about conservative theatremakers.
Three attendees reflect on what they learned at the Berkshire Leadership Summit.
Reviewers and reporters are an endangered species. Here’s how some of them are surviving—and even thriving.
Three theatre critics of color who are used to being the only one who looks like them on the aisle seat.