At Arena Stage, Mary Kathryn Nagle’s ‘Sovereignty’ set out to reclaim Native stories—and bodies.
Native theatre in the U.S.’s two non-contiguous states, Alaska and Hawai’i, shows resonant connections as well as telling differences.
After years of nurturing writers and performers, the work of L.A.’s Native American theatre is finally paying off.
In Dawn Jamieson’s new play, four Iroquois high-beam walkers reckon with trauma past and present.
The 1491s have gone from YouTube videos to live sketch comedy to a major play commission, and they’re laughing all the way.
Resources, institutions, and more than 100 artists spanning North America.
A fledgling theatre company in the Land of Enchantment tells Native American stories with both authenticity and imagination.
For both practical and aesthetic reasons, theatres are banding together to create new works in rolling world premieres.
The Austin troupe’s new immersive piece offers audiences an interactive space to wander, watch, play—and reflect on the world.
I and others like me could lead our field to greater equity and inclusion, if we’re given the chance—and if we even want it.