Offscript: A Shot of ‘Eureka Day’ and a Visit to Seattle
This episode features a chat on the stage of Manhattan Theatre Club with playwright Jonathan Spector, and a check-in with Seattle Times arts writer Gemma Wilson.
This episode features a chat on the stage of Manhattan Theatre Club with playwright Jonathan Spector, and a check-in with Seattle Times arts writer Gemma Wilson.
L.A.’s wildfire catastrophe can be measured in acres and dollars, but for theatre folks, rebuilding will be about more than buildings.
Theatre audiences and their preferences are changing—are theatres ready to change with them? A Wallace study looks at evolving strategies.
How new-work development and proactive hiring can solve the problem of near-zero Native representation on U.S. stages.
The challenge of declining attendance also presents an opportunity for theatres to diversify and expand their reach and impact.
Stationed at the center of the production process, stage managers are uniquely positioned to educate, facilitate, and reset expectations.
While finding ways to survive in a system hostile to artmaking, we can also make liberatory practices part of our organizational culture.
A colleague remembers the playwright/director/auteur/founder of NYC’s Ontological-Hysteric Theatre, who died on Jan. 4 at the age of 87.
An arts administrator whose résumé spans Philly’s experimental ensemble Pig Iron and Canada’s mainstream Theatre Calgary, she’ll succeed Jeremy Blocker at the Off-Broadway powerhouse.
How a versatile actor picked up ancient Greek in his spare time, and soon became the unlikely bearer of an intimate and ancient tale—in its original language.