Projected Back in Time as ‘Bob Fosse’s Dancin’ Returns
A former projectionist recalls 3 memorable weeks in the mezzanine on the show’s Boston tour stop back in 1979.
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A former projectionist recalls 3 memorable weeks in the mezzanine on the show’s Boston tour stop back in 1979.
Somehow the late, great director could work on my play—and give it exactly what it needed—even while occupied with countless other thoughts and projects.
The director of the world premiere of ‘Etta and Ella on the Upper West Side’ shares what unlocked this haunting play for him and the creative team.
Jordan E. Cooper’s satire could have had more success if it had kept cultivating audiences as intentionally as it did throughout its early development.
A reflection on the influences who led me to become the theatre artist and educator I am today—and to be that influence for others.
For the show’s associate music director/lyric dramaturg, ‘KPOP’ brings together 2 things that are precious to her: the Broadway musical, and contemporary Korean and Korean American culture.
The 5-acre farm in Doylestown, Pa., where Oscar Hammerstein II wrote his epochal musicals is being turned into a museum and education center.
On the closing weekend of ‘Dear Evan Hansen,’ its lead producer looks back at an unforgettable journey that opened a window into a mental health movement.
A beloved musical about refugees, and a new one about current U.S. border policies, hit unexpectedly hard in a newly unsettled time.
The end of yet another path-breaking play development program, one with fieldwide impact and global reach, has not been properly mourned.