Captioning Chicago
This month, Gabriela explores multilingual and nonverbal storytelling, Jerald remembers Kris Vire and celebrates Sondheim, and two care consultants share ways to recharge this winter.
This month, Gabriela explores multilingual and nonverbal storytelling, Jerald remembers Kris Vire and celebrates Sondheim, and two care consultants share ways to recharge this winter.
The Latino Theater Company’s border-defying Encuentro, the fourth of its kind, gathered hundreds of Latine artists for productions, partnerships, and dialogues in multiple languages.
Born in Covid lockdown, The Exodus Ensemble is shaking the New Mexico desert with immersive work, including their new ‘HAMLET.’
Five folks who help the show go on recall memorable points on their path.
In staging a revolution and its confusing aftermath, the musical ‘We Live in Cairo’ also seeks to dramatize the everyday life of Arabs.
Sondheim and Weidman’s masterpiece about Japan’s ‘opening’ to the West returns to an L.A. company whose history with the show is as tightly intertwined as its subjects are.
Beyond sensory “friendly,” these theatremakers are pushing the frontier of theatre that is truly for all audiences.
The Massachusetts collective, known for its site-roving parade spectacles, also convenes artists and activists and community around its rural roots.
This celebration of community stretched over weeks and connected Latine and Latin American performance.
A new adaptation of Sophocles’s classic will be staged at a museum that once held Native remains—but it’s hardly a staid museum piece.