Hard of Hearing Shouldn’t Have to Be This Hard
An actor and musician takes us behind the curtain and exposes some of the roadblocks to full inclusion.
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An actor and musician takes us behind the curtain and exposes some of the roadblocks to full inclusion.
March set the stage for political upheavals and peaceful exchanges between nations, a new dance company, a Chicana playwright, and the first female manager of a major U.S. theatre.
In ‘the ripple, the wave that carried me home,’ next playing at Kansas City Rep and Yale Rep, this busy playwright pens another piece inspired by history.
Somehow the late, great director could work on my play—and give it exactly what it needed—even while occupied with countless other thoughts and projects.
To mark the bicentennial of Liberia’s founding by formerly enslaved and free Black Americans, a troupe from the Colonial Williamsburg Foundation joined with Liberians to make theatre about it.
The designer’s friend, colleague, and mentee recalls him as a tirelessly busy, no-fuss genius who cherished real materials and was always ready with a brilliant drawing or model.
The director of the world premiere of ‘Etta and Ella on the Upper West Side’ shares what unlocked this haunting play for him and the creative team.
Earlier this month, Terrence Spivey’s play about the last slave ship, Clotilda, had its premiere in the Alabama community its survivors built.
How one historically white theatre company in Virginia has invested in reaching new audiences, and fostering writers, of color.
From an animatronics professor in North Carolina to a music director in Massachusetts, this installment features six theatre workers shaping arts education.