Dramática: No Place Like You
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
In the latest AT Education Monthly, International Thespian Society updates, post-show Denny’s, fall productions, the HBCU edge, and more.
Plus: Richard Thomas revives Hal Holbrook’s ‘Mark Twain Tonight,’ and a listing of world premieres across the U.S.
In the first edition of a new column, we visit a puppet haunted house and chat with a rising Chicago scenic designer.
In the latest Education Monthly, a new MFA program amid a sea of closures, inspiring op-eds, fall, and more.
The playwright talks about her great new feminist play. Plus: the clever comedy of Abby Wambaugh’s ‘The First 3 Minutes of 17 Show,’ Big Bang readings, and more.
Catching up with the digital editor on the state of criticism, a regrouping of Theater Folx of Color, Chicago happenings, new columns, and more.
Checking in with Luis Alfaro about the end of USC’s MFA in Dramatic Writing, plus other fall education updates.
In the first edition of our new column: a dive into some data about the coming theatre season across the U.S. and in NYC.
This month: a Pulitzer-winning playwright readies for his next challenge, plus educators offer tips as they head back to school.