How to Design a More Just Theatre Field
The symposium ‘Sound & Color: The Future of Race in Design’ invited young designers of color to imagine a future that is only just beginning.
Stories by Alexandra Pierson
2023 TCG Gala Celebrates Black Excellence and Literary Diversity
This year’s TCG Our Stories Gala, presented in honor of Samuel L. Jackson and LaTanya Richardson Jackson, raised a record $300,000 for the organization.
Spectrum Theatre Ensemble’s Choose-Your-Own-Adventure Ethos
This Rhode Island company is both fostering new work by neurodiverse artists and creating new guidelines for the inclusion of neurodiverse audiences.
And Reverie Shall Restore Amends
Members of this emerging New England theatre company are finding joy and building trust in the wake of trauma.
‘Shared Sentences’: Families Doing Time Together on the Outside
A new production from Houses on the Moon Theater Company explores the untold stories of family members whose loved ones are incarcerated.
So Good to See You: Highlights From Pittsburgh’s 2022 TCG National Conference
After 2 years held entirely remotely, this year marked TCG’s first hybrid conference, with both virtual and in-person gatherings focused on healing and learning.
Rattlestick’s Global Forms Theater Fest: A Lifeline for Immigrant Artists
What began as a way for visiting artists to maintain their O-1 visas has grown into a nearly 2-week celebration of international theatre, with over 100 immigrant artists from 34 countries.
Five EPIC Years: How to Build a Neuro-Inclusive Community
This New York-based company, dedicated to giving neurodiverse theatremakers a space to express their authentic selves, opens a production of ’25th Annual Putnam County Spelling Bee’ tonight.
A Theatre Grows in Brooklyn, Seeded by Subscriptions
A new Brooklyn performance space is trying a $25-a-month model, a la Netflix or Hulu—a box-office experiment that could in turn facilitate theatrical experiments.
‘The Chinese Lady’ and the Long Road Home
How Lloyd Suh’s ‘The Chinese Lady’ made it through 2 years of pandemic, protest, and anti-Asian hate to emerge as the nation’s most-produced and possibly most essential play.
