An excerpt from ‘For Black Trans Girls Who Gotta Cuss A Mother Fucker Out When Snatching An Edge Ain’t Enough: A Choreo Poem.’
From cockroaches to Greek myths, virtual theatre productions are offering theatremakers and audiences a way to connect.
A new album featuring many of her alt-musical singer/composer heirs reminds us of the vital, ever-timely pulse of her music.
Both Michael Roth’s ‘The Web Opera’ and HERE’s ‘all decisions are made by consensus’ use our screen-mediated world as a narrative given.
Working with Facebook and an Oculus Quest headset, NYU students explore the possibility of staging theatre via virtual reality.
Two musical-theatre composers who died tragically young get new recordings to keep their songs in rotation.
Renée Zellweger does her own singing in the new Garland biopic, amplifying not only the film’s authenticity but its poignancy as well.
Spoiler: The new bio-musical series isn’t just great TV, it also makes a case for more inclusive storytelling.
Commonwealth Shakespeare Company has teamed with Google to make an immersive virtual-reality adaptation, viewed by a ghostly roving camera.
Nikki Toombs of Atlanta’s True Colors Theatre Company and Tanya Mote from Denver’s Su Teatro share how engagement and education work fits their theatres’ missions.