Who It’s All For
With our Spring issue, we’ve turned our focus away from the stage to the house to consider the audience.
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With our Spring issue, we’ve turned our focus away from the stage to the house to consider the audience.
A roundtable on how to create radically welcoming access at the theatre.
Reflections on what’s bringing joy, and a look at where we’ll meet the next challenge.
We say theatre can be healing, but what if that were literally true?
Theatres are taking a hard look at a well-worn patron model, and coming to different conclusions about its usefulness.
Theatre is all about human behavior. Is it time to let audiences be fully human too?
When La Liga Teatro Elástico came to Chicago, they built a puppet parade to dramatize our ecological interdependence.
In a new play at Chicago’s Court Theatre, playwright Nambi E. Kelley looks for the human being—and the humor—in a Civil Rights legend.
Led initially by playwrights Dominique Morisseau and Jeremy O. Harris, Black affinity nights are proliferating at theatres across the U.S.
Tituss Burgess and Azie Dungey discuss faith, adapting a classic, and loving musical theatre.