The Subtext: Rachel Bublitz Is Writing for Her Younger Self
The writer of ‘Funny, Like an Abortion’ and ‘The Night Witches’ talks about long commutes, writing science plays, and the parts she wishes she’d been able to play in school.
Stories by Brian James Polak
The Subtext: Chloé Hung and the Magic of Writing
The writer of ‘Issei, He Say’ talks about making plays from her family’s life, feeling the pressure to tell immigrant stories, and rebalancing her priorities.
The Subtext: Tim J. Lord and the Human Story
This month Brian talks with the award-winning playwright about how he went from technician to playwright, and how to find the real drama behind a true historical event.
The Subtext: Aya Ogawa, In Control
This month Brian talks with playwright, director, and performer Aya Ogawa about “hacking away with a machete” toward a career and directing their own work.
The Subtext: Kelley Nicole Girod, in It for the Drama
This month Brian talks with the playwright, producer, Fire This Time Festival founder, and Apollo Theater director of new works about drama, balance, and Louisiana history.
The Subtext: How Rachel Bonds Learned to Trust Herself
This month Brian talks to the Southern-born writer about her journey through acting to playwriting, what her parents taught her, and her own parenting.
The Subtext: Jonathan Payne and the Sea of Stories
This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.
The Subtext: Rachel Jendrzejewski on Presence, Poland, and Padua
This month Brian speaks with the Playwrights’ Center core writer and co-artistic director of Minneapolis’s Red Eye about chance encounters and her relationship to future thinking.
The Subtext: Marin Ireland, Play Builder
This month Brian talks to the acclaimed actor about the ups and downs of her career, why and how she wrote her first play, and whether she feels she can claim the title ‘playwright.’
The Subtext: Benjamin Benne’s Sound and Vision
This month Brian talks to the writer of ‘Alma’ and ‘In His Hands’ about narration, inspiration, family ties, and Julio Cortázar.
