The Tony-winning lighting and set designer will succeed Susan Hilferty in the role.
The legendary training program will continue its conservatory and other training programs, but its 3-year theatre degree has become a COVID casualty.
The New York festival showcases developing directors in a bill that also includes plays by Aditi Brennan Kapil, Caryl Churchill, and Aimé Césaire.
As she takes the reins of the Pace School of Performing Arts, she talks mentorship, marathons, and the future of the field.
Students and faculty reflect on returning to in-person education in acting, playwriting, tech, and more at some of the nation’s college theatre programs.
As theatres begin to emerge from pandemic restrictions, many are recommitting to programs designed to engage their youngest stakeholders.
The case against the ‘standard’ dialect, and for more inclusive and practical speech training, is an important part of the larger struggle against elitism, classism, and white supremacy in the theatre.
In their new book, Nicole Hodges Persley and Monica White Ndounou offer a practical guide through the audition process for actors of the global majority.
The Neighborhood Playhouse’s Pamela Kareman and Stella Adler Studio’s Tom Oppenheim talk about the legacies of their founders and the future of acting training.
What do costumes look like, and mean, without a story? With the pandemic limiting access to actors, six Northwestern MFA costume candidates were asked by professors Ana Kuzmanic and Linda Roethke to explore this question.