So Let the Fireworks Come
Counter-programming the semiquincentennial with an older and deeper story that can’t be untold.
Counter-programming the semiquincentennial with an older and deeper story that can’t be untold.
This adaptation of Sophocles’s ‘Antigone’ centers a Nez Perce-Cayuse family tearing itself apart over the fate of ancestral remains.
Vickie Ramirez’s play explores the erasure of Indigenous women, and what it takes to claim your voice and your culture.
This creative work from Lee Cataluna explores what Maui means to the world in the wake of the Lahaina fires.
Arkansas Rep artistic director Steve H. Broadnax III has written a new show about a local hero who went from a sharecropper’s farm to the heights of state and federal government.
The writer of ‘Meet the Cartozians’ chats with her leading actress about the history behind the play, the complicated effects of assimilation, and Armenian pride and trauma.
A vital yet often-overlooked disability-rights protest in San Francisco in 1977 is musicalized at Denver’s Phamaly Theatre Company.
The Haitian American playwright reflects on female empowerment and her wishes for change in the industry as her play ‘Dead Girl’s Quinceañera’ makes the rounds this fall.
A year after the Los Angeles wildfires, the playwright reflects on community and responsibility with ‘The People of Pompeii.’
The articles in our Summer 2026 issue are underpinned by questions about who we’ve been—and who we might yet become.