Glynn Turman, Colman Domingo, and Michael Potts talk about the new film of August Wilson’s breakthrough play.
Meet some folks who know the audition process inside out: actors and casting directors.
Four Black dramaturgs who worked on Geva’s new audio-play festival talk about their work and their hopes for the field.
The theatre’s new artistic director talks about the forward-looking legacy she inherits, and about how post-pandemic theatres may resemble startups.
His new play, debuting virtually via Cutting Ball Theater, envisions a world beyond conflict and judgment, which for him is a kind of realism.
As an experienced leader taking the helm of a unique American theatre institution, she finds it uniquely suited to her gifts.
Solís, who has been leading a BIPOC Critics Lab on his own steam, will lead one under Kennedy Center’s auspices next month.
From dramaturgs to designers, actors to devisers, these are some folks to have on your radar.
In his last interview, he talks about the Negro Ensemble Company’s heady heyday, and its influential Playwrights’ Workshop.
In her first year at the Twin Cities theatre, a series of crises offered opportunities for allyship and community-building.