The city’s chief critic sees his job as not just evaluating local work but exposing it to a wider audience.
With ‘Blue’ opening this week at Glimmerglass, the composer reflects on her approach to music and meaning, and leaks her ambition to make a musical film.
Composer Jeremy Douglass was inspired by video games to create underscoring that reacts in real time to the action onstage.
Jeremy O. Harris talks about the sexual politics of white supremacy, and about how he finds humor in horror (and vice versa).
The monologuist is telling his most personal story ever at the Public Theatre, and he finds that music helps the medicine go down.
The writer/performer is back with a tour celebrating his pathbreaking musical and a dark, funny new podcast series that may be his most personal work yet.
Artistic director of the Tony-winning TheatreWorks, who will step down in 2020, looks back on 50 years of growth and new work.
How the Tony-nominated star of ‘To Kill a Mockingbird’ stays in the moment, even a complicated one.
As they take over the regular beat from Hilton Als, the two talk about where they come from and what they’re looking forward to.
Her Pulitzer-winning play ‘Fairview’ is about why white people should make space for people of color; she’s amused that it’s controversial.