Letters: Talkback Pushback
Readers have a lot to say about post-show discussions.
Stories by Various Authors
How to Be an Antiracist Theatremaker
Five producers gather to talk about what they do and the power they hold to make change.
Letters to the Editor: Walnut Street, ASL Advice, Rep Companies
Readers take issue with 3 articles from the past few months.
The Pathbreaking Excellence of Douglas Turner Ward
Colleagues recall the vision and tenacity of one of the American theatre’s essential founders and leaders.
Where the Year Went: A Look Back, and Forward
We asked dozens of theatre folks about an alternately disorienting and clarifying 12 months of closure.
Letters to the Editor: Time Stopper, Funding Caution
A stage manager’s stopwatch keeps a COVID vigil, and a reader expresses skepticism about arts funding as a panacea.
What Dream Casts May Come
Which plays and which actors would you most like to see matched? We asked and the answers poured in.
What Plays Are You Going Back To? A Playwrights’ Reading List
We asked a number of TCG-published authors which plays they’re reading—or not reading—during this time of crisis.
Piecing Together a Zoom ‘Frankenstein,’ Finding Its Soul
Teens from the Rose Theater’s conservatory camp share takeaways from a virtual production of ‘Frankenstein.’
Letters for January/February 2020
As a former Chicago theatre person (artistic and then executive director of Free Street Theater, from 1991 to 2003), I was glad to see American Theatre devote an article to the wonderful ensemble scene in Chicago (“Stronger Together,” AT, Nov. ’19). But I found it “curious” that the writer neglected to mention perhaps Chicago’s oldest functioning theatre ensemble, Curious Theatre Branch. Curious has been devoted to new work for more than 30 years, having produced Rhinofest long before the first “Fringe” for most of that…
