Readers respond to a provocative play about race and to a searching essay about theatrical heartbreak.
A concern about cover art, props for our content, and a clarification about living legend Joy Carlin.
‘Our Town’ is not wasted on the young, and fatness onstage should be embraced in all its implications.
Responses to stories about sexual harassment and ‘Angels in America,’ plus a unique cancellation request.
College students question an editorial in which a university professor lamented the hurdles of teaching Kushner’s gay fantasia.
Why one reader prefers Philly’s 1812 Productions to ‘SNL,’ and others fear for the future of criticism.
In trying to fix one of Shakespeare’s problem plays, did we create a new race issue? A fair note, but here’s the backstory.
Given the chance to play Claudio as a black man, neither I nor our production took the racial implications lightly.
Readers respond to a story about the history of Suzuki and SITI Company, and an article about conservative theatremakers.
A retired professor voices concerns about the casting of Jen Silverman’s play ‘The Moors,’ which American Theatre printed in full in our July/August 2017 issue.