College students question an editorial in which a university professor lamented the hurdles of teaching Kushner’s gay fantasia.
Why one reader prefers Philly’s 1812 Productions to ‘SNL,’ and others fear for the future of criticism.
In trying to fix one of Shakespeare’s problem plays, did we create a new race issue? A fair note, but here’s the backstory.
Given the chance to play Claudio as a black man, neither I nor our production took the racial implications lightly.
Readers respond to a story about the history of Suzuki and SITI Company, and an article about conservative theatremakers.
A retired professor voices concerns about the casting of Jen Silverman’s play ‘The Moors,’ which American Theatre printed in full in our July/August 2017 issue.
An open letter and a bill of rights, in the interest of more stage works representing the full diversity and humanity of Middle Eastern Americans.
The turnover of so many artistic director positions at U.S. theatres provides a genuine opening to overcome exclusionary hiring practices.
Playwriting as a lifeline in prison, changes in Chinese theatre, and the crisis of criticism.
A representative of stage directors responds to a story in which we offered a peek into the pocketbooks of theatre artists.