The Austin troupe’s new immersive piece offers audiences an interactive space to wander, watch, play—and reflect on the world.
Tony Taccone, a co-pilot for the first flight of ‘Angels in America,’ brings Kushner’s epic back home to Berkeley.
Lauren Gunderson and Margot Melcon’s new play, a sort of ‘Pride and Prejudice’ sequel, makes a bid for the holiday canon.
Muriel Borst Tarrant’s new play at La MaMa, parodically reclaims Native tropes and distortions, with a nod to Dante.
A 7-play project led by McCarter Theatre Center delves into the college’s haunted history.
His account of a seminal Civil Rights moment, staged partly with students at Virginia Stage, is a call to action for a new generation of activists.
The first site-specific piece in a planned three-year project kicks off with an immersive stroll through Little Havana’s Tower Hotel.
Whose programs do the programmers admire most? We asked some U.S. theatre leaders and they told us.
In his first play, ‘Imaginary Comforts,’ the man behind Lemony Snicket confronts dread with his usual wicked wit.
Tony Kushner and Jeanine Tesori’s musical, with its Confederate-monument subplot, will get an unexpectedly timely revival.