How the creators of ‘A Transparent Musical’ have adapted the hit series about a Jewish family’s multiple gender journeys into a stage musical, premiering tonight at L.A.’s Mark Taper Forum.
Marina Zurita is the director of this new work about solidarity and struggle among Brazilian waste pickers, but she’s not the piece’s sole author.
A look behind the scenes of a new, more accessible student production of the popular play centering an autistic character.
A forgotten chapter of mid-20th-century theatre history is about to be restored, as ‘The Sign in Sidney Brustein’s Window’ is restaged in Seattle and Brooklyn.
Bill Irwin and John Douglas Thompson, who first bonded in a Public staging of ‘King Lear,’ confront the opacity, playfulness, and unavoidable bleakness of another master, Beckett.
In his Bay Area premiere, this public defender/playwright engages with the complicated history of Indian gaming by putting Indigenous women’s voices at the forefront.
In casting Jonathan Larson’s musical with all TGNC actors, director Bo Frazier’s new BoHo Theatre production not only brings new layers to the show—it also provides an example for others to follow.
Through much of the 1990s, Diana Gibson’s Cast Theatre in Hollywood was Tanner’s personal playhouse, but a new play peeks backstage at the hidden costs of that odd arrangement.
Writer Sarah Ruhl and director Rebecca Taichman talk about how they’re crafting ‘Becky Nurse of Salem,’ a new play about witches and women’s power.
Theatre folks from Alaska to Ohio to Misssissippi tell us where they’re seeing the most change and what they’d like to see on a stage in the coming season.