Jewish Joy, Jewish Trauma: Why They Feel Different Onstage Now
How a number of recent shows in New York are landing, and what it feels like to work on them, in a time of rising antisemitism and right-wing violence.
Stories by Gabrielle Hoyt
Funny Girls, Money Men: The Complications of Jewishness on Broadway
Using ‘Funny Girl’ and ‘The Lehman Trilogy’ as jumping-off points, 2 theatremakers tackle the often cross-cutting challenges of Jewish representation, and explore why casting alone can’t save problematic material.
Emma, Hershel, and Me
An interview about antisemitism, accountability, and Diet Coke with Emma Jude Harris, an American director-dramaturg based in London.
Kaddish for Steve: On the Jewishness of Sondheim
Sondheim’s work is elusive, ambivalent, internally conflicted, and deeply concerned with how stories are told. What could be more Jewish?
