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It’s a dramatic week from Kansas City to Knoxville, with spy capers, 19th-century marriage plots, and a search for a Tibetan lama.
By American Theatre Editors
“Broken Glass” by Arthur Miller, at New Repertory Theatre in Watertown, Mass., through Sept. 27. Pictured: Anne Gottlieb and Jeremiah Kissel. (Photo by Andrew Brilliant/Brilliant Pictures)
“Luna Gale” by Rebecca Gilman, at Ensemble Theatre Cincinnati through Sept. 27. Pictured: Kate Wilford and Patrick E. Phillips. (Photo by Ryan Kurtz)
“Nobody’s Girl” by Rick Viede, at New Jersey Repertory in Long Branch, N.J., through Sept. 20. Pictured: Jacob A. Ware, Gregory Haney, Judith Hawking, and Layla Khoshnoudi. (Photo by SuzAnne Barabas)
“Pride and Prejudice,” adapted by Christopher Baker from Jane Austen, at Center Stage in Baltimore through Oct. 11. Pictured: A.J. Shively and Kate Abbruzzese. (Photo by Kenneth K. Lam / Baltimore Sun)
“The 39 Steps” by Patrick Barlow, John Buchan, and Alfred Hitchcock, at Clarence Brown Theatre in Knoxville, Tenn., through Sept. 27.
“The Best of Everything” by Rona Jaffe, at Bag&Baggage Productions in Hillsboro, Ore., through Sept. 27. (Photo by Casey Campbell Photography)
“The Object Lesson” by Geoff Sobelle, a Center Theatre Group production at the Kirk Douglas Theatre in Los Angeles, through Oct. 4. Pictured: Sobelle. (Photo by Craig Schwartz)
“The Oldest Boy” by Sarah Ruhl, at the Unicorn Theatre in Kansas City, Mo., through Sept. 20. Pictured: Vi Tran, Alex Espy, and Andi Meyer. (Photo by T. Rob Brown)
“Time Stands Still” by Donald Margulies, at Wellfleet Harbor Actors Theatre in Wellfleet, Mass. through Sept. 26.
Pictured: Graeme Malcolm, Shannon Koob, and John Long. (Photo by Michael and Suz Karchmer)
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