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"The Little Foxes" by Lillian Hellman, at Asolo Repertory Theatre in Sarasota, Fla., through April 15. Pictured: Denise Cormier, Matt DeCaro, and Tracy Michelle Arnold. (Photo by Gary W. Sweetman)
From the moorlands of England to the front lines of battle, from Homer Simpson to Paul Cézanne, it is a wide-ranging week for theatre.
By American Theatre Editors
“How I Learned to Drive” by Paula Vogel, at Cleveland Play House through March 26. Pictured: Karis Danish, Nick LaMedica, Remy Zaken, Madeleine Lambert, and Michael Brusasco. (Photo by Roger Mastroianni)
“Mr. Burns, a post-electric play” by Anne Washburn, at Wilbury Theatre Group in Providence, R.I. in 2017. Pictured: Phoenyx Williams and cast. (Photo by Maggie Hall)
“Six Degrees of Separation” by John Guare, at Theater Latté Da in Minneapolis, through April 9. (Photo by Dan Norman)
“Topdog/Underdog” by Suzan-Lori Parks, at Huntington Theatre Company in Boston, through April 9. Pictured: Tyrone Mitchell Henderson and Matthew J. Harris. (Photo by T Charles Erickson)
“The Bridges of Madison County,” by Jason Robert Brown and Marsha Norman, at Aurora Theatre in Lawrenceville, Ga., through April 16. Pictured: Travis Smith and Kristin Markiton.
(Photo by Chris Bartelski)
“The End of the War” by David L. Robbins, at Virginia Repertory Theatre in Richmond, Va., through March 26. Pictured: Wolf J Sherrill and Nicklas Aliff. (Photo by Aaron Sutten)
“The Little Foxes” by Lillian Hellman, at Asolo Repertory Theatre in Sarasota, Fla., through April 15. Pictured: Denise Cormier, Matt DeCaro, and Tracy Michelle Arnold. (Photo by Gary W. Sweetman)
“The Moors” by Jen Silverman, presented by the Playwrights Realm at the Duke Theater in New York City through March 25. Pictured: Linda Powell and Chasten Harmon. (Photo by Joe Chea/Daniel J Vasquez Productions)
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