The Performing Arts: Headed for a Perfect Storm?
In his new book, former Kennedy Center impresario Michael Kaiser argues that the future of the arts lies with quality, subsidy, and daring—all of which are in dangerously short supply.
In his new book, former Kennedy Center impresario Michael Kaiser argues that the future of the arts lies with quality, subsidy, and daring—all of which are in dangerously short supply.
Two new books explore the content, and context, of the great composer/conductor’s divided musical character.
Tina Packer tracks the Bard’s growth via his female characters, and James Grissom tracks down divas who alternately inspired and frustrated Williams.
Several books tell the rich history of New York’s commercial theatre district from a variety of angles. What about its future?
Two new books on Alexander technique demonstrate both the power and the pitfalls of conveying a hands-on practice in written form.
Michael Bloom reviews two new books by Sarah Ruhl
John Lahr’s new biography, ‘Mad Pilgrimage of the Flesh,’ sheds an admiring but unflinching light on the playwright’s career and later works, as well as his life and relationships.
Jeremy Gerard’s new bio tells the story of the American Place Theatre founder’s singular vision and influence.
Among other things, a new collection of letters from the celebrated and complicated American director show his tough-love devotion to new work and writers.
Was Othello a white man? Some patriotic 19th-century Americans thought so.