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Marshall Barer, Harold Prince, and Mary Rodgers in 1960. (Photo courtesy of the Rodgers-Beaty-Guettel family)

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Good fences make good neighbors, right? But what about clotheslines? When the unflappable Jack Key moves in next door to the endearingly neurotic Lizzy Nash, sparks fly in this witty, honest, romantic story of connection and household appliances. Support American Theatre: a just and thriving theatre ecology begins with information for all. Please join us in this mission by making a donation to our publisher, Theatre Communications Group. When you support American Theatre magazine and TCG, you support a long legacy of quality nonprofit arts…

Good fences make good neighbors, right? But what about clotheslines? When the unflappable Jack Key moves in next door to the endearingly neurotic Lizzy Nash, sparks fly in this witty, honest, romantic story of connection and household appliances.

Support American Theatre: a just and thriving theatre ecology begins with information for all. Please join us in this mission by making a donation to our publisher, Theatre Communications Group. When you support American Theatre magazine and TCG, you support a long legacy of quality nonprofit arts journalism. Click here to make your fully tax-deductible donation today!

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