Good fences make good neighbors, right? But what about clotheslines? When the unflappable Jack Key moves in next door to the endearingly neurotic Lizzy Nash, sparks fly in this witty, honest, romantic story of connection and household appliances.
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Marshall Barer, Harold Prince, and Mary Rodgers in 1960. (Photo courtesy of the Rodgers-Beaty-Guettel family)
Maytag Virgin
Good fences make good neighbors, right? But what about clotheslines? When the unflappable Jack Key moves in next door to the endearingly neurotic Lizzy Nash, sparks fly in this witty, honest, romantic story of connection and household appliances. Support American Theatre: a just and thriving theatre ecology begins with information for all. Please join us in this mission by joining TCG, which entitles you to copies of our quarterly print magazine and helps support a long legacy of quality nonprofit arts journalism.