Baldwin’s first work for the stage, written in 1954, chronicles the story of a Black female pastor in Harlem, Margaret, who must grapple with the social, cultural, and gender limitations of pastoring a storefront church when she is confronted by the secular life she left behind.
The Amen Corner
Baldwin’s first work for the stage, written in 1954, chronicles the story of a Black female pastor in Harlem, Margaret, who must grapple with the social, cultural, and gender limitations of pastoring a storefront church when she is confronted by the secular life she left behind. Support American Theatre: a just and thriving theatre ecology begins with information for all. Please join us in this mission by making a donation to our publisher, Theatre Communications Group. When you support American Theatre magazine and TCG, you…
